Turen til Squashland, on the other hand, is about a sentient sausage who rides a black whale to rescue a bunny rabbit. The film was shot by the tweenaged Trier (he added the ‘von’ to his name in film school) on his Super 8mm camera in 1967. In terms of technique and design, it is shockingly good. The short has a naïve sweetness that Wes Anderson often aspires to while having the uncanny dream-like quality of an early David Lynch movie.

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