Audio generative graphics provided by a combination of a GL Multi Matrix and GL Load Matrix, fed JS modulated, audio spectrum data sets, which generates graphical structures , parameters & positions in response to a specific audio stream.

A replacement for the recently uploaded MultiMatrix which didn't really render out too well as a Vimeo video. Bit of a pity seeing as how it was meant to compliment the synced mixdown track that had generated the visuals which sadly became graphical mush when processed by Vimeo - so back to the codec bench and replace with an updated synced version of the real time visualization resulting from feeding the construct something so eminently palatable as this music.

Set to a mixdown of the original , found on the Verve collection, Coltrane, a re-sampled version of the same track and a MIDI transcribed re-versioning of Not Yet, a beautiful track made famous by the tenor saxophone of John Coltrane and the unique jazz piano phrasings of McCoy Tyner, the pianist who performed regularly with John Coltrane throughout the 60's and who originated Not Yet.

Western Ragas.

The QC composition generates graphics by means of reading the spectrum and frequency and waveform data from the track presented and then uses a very simple combination of a Load Matrix and Mutli Matrix, containing a single Quad structure & a Super GLSL Grid apiece, with one Matrix set to Projection View and the other to Model View, to create the resulting animation.

The construct is fed a stream of dynamic data derived from the spectrum band of the mixdown track, to which this offline rendered movie was re-synced.

Some judicious use of v002 Rutt Etra and Optical Flow, with a little Image Energy thrown in for good measure & made offline renderable by the use of Quartz Crystal & Kineme Audio Tools :-).

This is the first in a series of various midi transcribed compositions, from which a variety of Matrix and GL visualizations have been derived.

Of all the tracks I've been practising with, this has been the one that I've liked working on the most. It's also the one I've had to work upon the most because I couldn't even find half of a transcription anywhere for this track at all :-).

Play along with it, WIDI it, copy it, sample it, practice it and get better at transcribing it...

It's a great piece of music to study and it's impossible, thus far, to find a 3rd party for hire or sale transcription or fakebook of this track, which either shows that I don't know how to search despite having Google, or that there really is a dearth of satisfactory sheet music for this track.

The search continues, both visual and musical, as does the perfecting of the same.

Gazes & Ragas.

:-)