What i can tell you about the video is that the outside stuff was shot
with a cheap wide angle and a stack of ND's in the matte box. I shot
1080i 30fps in TV mode using the exposure lock trick of course.

Inside, on many of the takes...had the band perform playback 25%
faster and shot at first 60 then 120 fps, and then slowed the velocity
using Vegas 7. I had alot of trouble because the band was thrown off by
this but it works, where it works!

Other than that, I cc'd the hell out of everything and added color
curves...contrast, etc...many of the performance shots feature 3-4
layers of composites....some of just solid color slugs, some
backgrounds shot from a car window using split color grads from green
skies and stuff...much of the road footage has a mirror effect on it
so as to not make it too obvious as to what you are seeing. I used
that in an attempt to hide some uglies and to add to the kinetic
energy I guess (mostly to cover uglies).....The performance footage
channel has a slight tv simulator effect and a small cookie cutter
around the edges to emulate film burns....