This process of work has its genesis in the observation and the experimentation within a Mediterranean forest.
The process concentrates on the transition and point of contact between the light and the darkness. Nature in the shades and their subtle dance.
The canvas or material we worked on is the memory of the body and the different energy qualities of the vegetable that we were and that we carry within us.
We create different sequences with articulated atmospheres in which the light, the shade, the organic matter, projected images, scenic music, objects, the almost ritual movement and the bodies are conjugated and organically manifested in the staging.
The objects/characters accompany the dramatic art from a pattern by action that defines the score, inviting to update the memory of the lived thing ) and dissolve time. They are the carriers of pleasure, the key that allows them to manipulate the devices that make this dance possible.
Just because the shade participates in the essence of the things is that we focus on the investigation of this language that bears a deeper message. The message of the intangible things.
 
Phrases
 
… microworlds…
… the dance of light and shade…
… the manifested and the unmanifested
… the luminous magic and its poetry
… the uncertain body and its limits…
… the apparent calm…
… what our senses perceive…
… as silence to the sound…
… the divine human form…
… Grace = simplification = increase of efficiency of a movement signal = dance…
… our roadguide, the nature, our map, the body…
… process as mixture plait of training, as a base, the spontaneous and ritual movement…
 
We are not conscious That
it is beyond the darkness.
And that it is at the same time the Knowledge,
The object of the Knowledge,
And the way that leads to the Knowledge:
That resides in the heart of the universe.

Bhagavad Gita

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