
Waiting for the End of the World
1 year ago
Deprived of human contact, and with only an overactive imagination to keep him company, Petr sets about his monotonous night shift at his local supermarket.
Shot on 5D mk II, with 135mm and 17-40mm lenses. Edited on FCP.
Glastonbury 2010, Encounters Film Festival, Exposures Festival (winner - 'Best Artists Film'), Artsfest 09, Kino 10, A Wall is a Screen, Clermont Ferrand short film marketplace, Souvenirs From Earth.
leedeaville.com
Shot on 5D mk II, with 135mm and 17-40mm lenses. Edited on FCP.
Glastonbury 2010, Encounters Film Festival, Exposures Festival (winner - 'Best Artists Film'), Artsfest 09, Kino 10, A Wall is a Screen, Clermont Ferrand short film marketplace, Souvenirs From Earth.
leedeaville.com
MP4
00:06:25
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| Date | Plays | Likes | Comments |
|---|---|---|---|
| Totals | 59.5K | 1,056 | 98 |
| Feb 14th | 50 | 0 | 0 |
| Feb 13th | 89 | 0 | 0 |
| Feb 12th | 114 | 0 | 0 |
| Feb 11th | 109 | 2 | 0 |
| Feb 10th | 114 | 0 | 0 |
| Feb 9th | 132 | 0 | 0 |
| Feb 8th | 115 | 0 | 0 |
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We used a couple of 300w's for the darker parts of the store, but we generally let the tungsten lights do the work.
I guess that the story is a kind of 'anti-story'. The lack of a story, or a narrative for this character; his life is so cyclical and repetitive that it has no beginning, middle or end.
The protagonist invites us into his very personal space. He commentates on what he finds interesting, or unusual, unaware of what interests the audience. Remember that he's simply trying to stimulate his mind, attempting to stave off the boredom.
Yet the job is his salvation, without it, he wouldn't be who he is.
:)
Have you worked nightshifts in a supermarket yourself? Or did you first come up with the story and then found a store that wanted to cooperate?
Have to agree with Anthony (above) that the VO was duplicating now and then, otherwise good stuff!
Can I ask how you managed to get a grocery store for a short film?
I think the film strikes a chord with those who have experienced the enigma of the nightshift.
I had to seek permission from managers, area managers and media departments, who allowed me to use the store under a number of conditions (no documentaries, no company logos, etc).
You don't find many supermarkets like these nowadays, it was the biggest and most advanced in Europe 30 years ago.
Well done! :)
i think everybody in the world owns this watch, me too :P
But I loved it. I take it Tescos didn't mind either :-)
I guess the film is about Petr's lack of imagination, and his futile attempts to dream beyond the store.
Tesco were great. I had to seek permission from the powers that be, but they couldn't have been more helpful. Of course, it helped that I had worked there for 3 years!
Really nice work. I particularly liked the "...3..2..1..." - like every shift, 'knock off time' is his focus.
Looks very nice too! Good work.
Also enjoyed the short - quite funny and very charming. I love how the sound is really clear. That's one thing I've struggled to do with my own productions so far, but I guess there's a certain technique for it.
Thank you for sharing this, great film!
I had worked part-time for the company for 3 years, and had to put in a special request to film in the store.
It was either this store, or bust. It's 30 years old, and possesses this character that just doesn't exist in modern supermarkets.
Our budget didn't quite stretch that far, so we had to make do!
tee te tee te
that's awesome!
I hope you all took something (whether good or bad!) from the film.
It looks pretty tight but for some reason the reset irritates the hell out of me :P
Check out my work. Would love to hear what you think.
vimeo.com/20436804
vimeo.com/ekhan
Just a quick note to say a big THANK YOU to EVERYBODY who liked this film... Just made it to 1000 likes and I'm incredibly proud.