Goldin+Senneby are Swedish artists. They are also characters in Looking for Headless, a novel they commissioned, a detective story involving a murder (by decapitation, of course) that has been published serially since 2007. In it, Goldin+Senneby appear as shadowy figures, remotely controlling the action as it unfolds in exotic locales like the Bahamas and Gibraltar—glamorous but bureaucratic hubs of the offshore finance industry.
The lectures, documentaries, and didactic displays that have accompanied the presentation of Headless at art institutions share little of the heady cloak-and-dagger suspense found in the fictional texts that the project spawns. The Headless Conference is no exception to this rule. Co-organized by Rhizome and the Office for Parafictional Research, the event will take the form of an academic symposium on issues pertinent to the discourse surrounding Goldin+Senneby's work. Up for discussion are topics as diverse as the economic theories of George Bataille and the nature of virtual spaces built by offshore finance networks. Participants are to include Angus Cameron, lecturer in human geography at the University of Leicester and Goldin+Senneby's chosen emissary; Brian Droitcour, Rhizome staff writer; Keller Easterling, associate professor at the Yale School of Architecture; Ginny Kollak, director of the Office for Parafictional Research and second-year graduate student at the Center for Curatorial Studies, Bard College; and Allan Stoekl, professor of French at Penn State University.
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