
Dirty-Carter Experimental Sound Generating Instrument test
1 year ago
A short video* of the new Dirty-Carter Experimental Sound Generating Instrument (E.S.G.I.) while putting it through its paces.
*My apologies for the thin sounding mono audio.
Tech details:
The Dirty Carter Experimental Sound Generating Instrument uses a dual 4-stage shift register. Each register is controlled independently. Two oscillators are used per register: one as a clock, the other as input data that is cascaded through the four stages. The outputs from the stages are mixed together. A fast clock rate produces a crude form of wavetable synthesis, whilst a slow clock rate creates audible pulses and clicks. The clock speed and the data input’s frequency are controlled by touch electrodes/pads. By tilting the instrument, sound from both the 4-stage shift registers can be mixed together. Glitchy noise, deep drones and percussive peeps!
*My apologies for the thin sounding mono audio.
Tech details:
The Dirty Carter Experimental Sound Generating Instrument uses a dual 4-stage shift register. Each register is controlled independently. Two oscillators are used per register: one as a clock, the other as input data that is cascaded through the four stages. The outputs from the stages are mixed together. A fast clock rate produces a crude form of wavetable synthesis, whilst a slow clock rate creates audible pulses and clicks. The clock speed and the data input’s frequency are controlled by touch electrodes/pads. By tilting the instrument, sound from both the 4-stage shift registers can be mixed together. Glitchy noise, deep drones and percussive peeps!
MP4
00:01:08
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Prev week
I like the (SteamPunk) styling of the copper. Very cool.
As to your last post:
The same phenomenon as the Board/Postcard Weevil - once you put it into a mixer, you've got quite a robust instrument.
Explain about the tilting. How is this result produced?