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2. Mesmerized
1 year ago
1. Threaded
1 year ago
A short video of my vector drawing process while I work on a character I had sketched out for the "Thread Troll" drawing (dlanham.com/art/threadtroll/).

I know my results often look simple and clean, but there’s a lot of work and adjustments as I go along, I hope you enjoy the insight.

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  • Jorge Quinteros 1 year ago
    That's absolutely fantastic. Your illustrations are so unique and flawless it's almost surreal thinking that someone actually sits there and creates these beautiful characters.

    It's human nature to want to know more about those things that interest you so thanks for share this part of your work.
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  • tourofireland 1 year ago
    What brushes do you use to produce the line variations? Are they custom? Beautiful work.
  • David Lanham 1 year ago
    I normally use a round calligraphy brush with diameter based on pressure sensitivity.
  • tourofireland 1 year ago
    Thanks. I've been trying out a Wacom tablet to refine some old sketches of mine. I've found the separation of tablet and screen a bit distracting. Are you drawing on screen?
  • David Lanham 1 year ago
    The separation is something you will adjust and adapt to over time, I've used both the normal tablets and a cintiq and overall I prefer the tablet at times because there's nothing (hands, smudges) obscuring your view :)
  • tourofireland 1 year ago
    Great. Thanks for the input.
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  • Martin Lindelöf 1 year ago
    it's always fun to see peoples workflow. love it! and your artwork is supernice, using your iconset.
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  • Rina Miele plus 1 year ago
    #Awesomeness. This made my day. So fun to watch. I love your work.
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  • Loubna 1 year ago
    I loved watching it, thanks for sharing.
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  • Steve Talkowski 1 year ago
    Thanks for posting this process video David! It's always a pleasure to watch how a fellow illustrator works with the same tools. I definitely picked up on a few tips from watching!
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  • Kaishin 1 year ago
    This is neat ! Keep up the good work!
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  • iLexxx 1 year ago
    It was just really amazing!!!
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  • Tobias Blickle 1 year ago
    beautiful :) what software is that?
  • David Lanham 1 year ago
    Thanks! I'm using Adobe Illustrator for these drawings.
  • Tobias Blickle 1 year ago
    I just discovered your site, you're the also in the iconfactory team! Awesome. I love your other art too.
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  • smartygus 1 year ago
    Damn that's amazing to watch!
    Thanks for sharing David — makes me want to take some sort of art/drawing class.
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  • leongao 1 year ago
    Excellent ! thanks for sharing the process , that's very useful to me :)
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  • Alex H 1 year ago
    Sorry I spend all my time in photoshop.

    I see that you draw a shape, then you use the "smooth lines" option in illustrator.....but then you smooth it again by painting the lines with some brush???

    What exactly are you doing there?
  • David Lanham 1 year ago
    No problem. In Illustrator, when you draw a line, you can re-edit the path by drawing on top of it again (double-click the brush or pencil tool for these settings). I also use the Warp tool to push around the lines, it's similar to the Liquify filter in Photoshop but not destructive since it's all vector shapes.
  • Terry Acker 1 year ago
    Just stunned at your technique. Thanks for sharing the video and these tips. Once again, stunned.
  • okidoci 6 months ago
    thanks a lot, David. very nice technique
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  • Lars Gådeby 1 year ago
    Just love your work, really inspiring!
    A question..
    Do you use blendmodes for the highlights and shades or do you just work with colors?
  • David Lanham 1 year ago
    I use overlay for the highlights and multiply for the shadows. Some colors like red and yellow need custom colors though as you can see when i do the highlights on the red scarf-thing.
  • Lars Gådeby 1 year ago
    Thank's for the quick reply!
    I've been trying out diffrent ways to do it, and ended up with overlay and multiply
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  • Marcio Barrios plus 1 year ago
    Fantastic artwork! I love your style
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  • Jake Przespo 1 year ago
    Love your work. This video really inspires me to do more illustration.
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  • dod mcknight 1 year ago
    Sweet, sweet illo, with some tasty shadows that do the biz
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  • J.K. Rudeen 1 year ago
    David, been very huge fan of your work for the past 8 or so years. You showing how you do your work (and replying to folks' questions) is one of the best things you could have ever done! Seriously, thanks!
  • David Lanham 1 year ago
    Thanks so much, it's been really fun, I'll have to do more videos of it :)
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  • Ryan Dampf 1 year ago
    soo good!
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  • Na Wong 1 year ago
    Love the see the amazing drawing process.
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  • VISUAL KITCHEN 1 year ago
    incredible!!!!
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  • Juan Gomez 1 year ago
    lol i commented on twitter! but i ask here. i already read the tablet use + round brush, also what's that adjustment tool you use to change paths. ?
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  • Jordan Hunter 1 year ago
    I've been a fan of yours for years! And I finally get a chance to see your process! Amazing!
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  • Jordan Hunter 1 year ago
    The shadows/highlights section is incredible. Absolutely astounding how you do it.
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  • Scott Thomas 1 year ago
    I would love to see a longer video where I could hear you talk about which tools you are using at what time.

    I do mainly logo design, and shy away from using transparency. From watching, I asume you use that feature quite a lot.

    I see you are using the brush-distort tools quite a lot to get the vectors into place. That's what I'd like to learn more about. You have so much more control over that than I've found. Teach me!!!! :)
  • David Lanham 1 year ago
    I really only use three tools: the brush (when I want strokes drawn), pencil (for shading) and warp (for tweaking). If you double click the tools in the palette, there's extra options. Sometimes I don't want the warp to simplify my shapes or change the points, so I turn off it's option to simplify and reduce details in the tool's settings.
  • Ryan Weisgerber 1 year ago
    OMG! THANK YOU!!! I was trying to figure out how to adjust the warp tool to get it to function how I wanted, and the "simplify" parameter needed to be turned OFF, not adjusted. Bah! :D
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  • alpoko 1 year ago
    I loved watching it, thanks for sharing
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  • brokeart plus 1 year ago
    Love your style... keep it up...
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  • good stuff. love the other drawings on your site
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  • Julia Quinn staff 1 year ago
    awesome! i love watching people draw
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  • Olgeir Andresson 1 year ago
    I like this
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  • Dennis Podehl 1 year ago
    wow i love this !!
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  • alcinoo plus 1 year ago
    can I name you "prof" David? :)
    Thank you very much for the video!
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  • Kohive 1 year ago
    You're my hero! One of my favorite artists ever and that's including all the greats!

    How many minutes/hours did this take?
  • David Lanham 1 year ago
    About one hour for this drawing.
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  • Amul Patel 1 year ago
    more more more
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  • Alfonso Rodriguez 1 year ago
    You've open my mind to illustrator... I had my Intuous 3 laing on a box because I work on vector illustration but couln't stand flash for the tablet neither illustrator for the mouse (terrible beizer handlers)

    Yet I have another question: What tool did you use to fill the shapes?

    I tried to make my drawing a "Live Paint Group" but it mess my brush sensitive stroke widths... and in your video ( which BTW is awesome ) you somehow set the fill and stroke color at the same time when you start to color your drawing.

    Thanks a lot for sharing this.. and hope you got the time to at least see this question X3
  • David Lanham 1 year ago
    If you double click the brush or pencil tool, you'll see some extra options, the defaults are really bad imo, but set the options to: fill new strokes=on, keep selected=off, edit selected paths=on

    Now when you set the stroke and fill color in the color panel, it will always fill and you turn the fill off when you don't want it. I have all my solid shapes filled in already and when I select the shape the fill and stroke are ready to change and you can avoid the live paint mess.
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  • Great work!
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  • colus havenga 1 year ago
    fantastic to see how you work! I love your approach to vector.
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  • pablo aljanati 1 year ago
    Wonderful work! Thanks for sharing your techniques!
    I would love to see more tuts, you are blowing up my mind!
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  • Adrien Lochon 1 year ago
    "The art of simplicity is a puzzle of complexity". Douglas Horton said that.

    "Wow!" I said that :)
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  • Andrea Pepinillo 1 year ago
    I love your work!...
    ... You use Adobe Illustraitor CS5? just curiosity...
    Sorry just another one... where did you set the preferences for the pressure of the tablet? are they on system preferences or it has to be on illustraitor it self?

    Oh ohh another one... the shadows and highlights... how do you put them in overlay or multiply?? I've been searching for that option but i just cant find it... :S

    ... Again fantastic work! :D
  • David Lanham 1 year ago
    Yea, although what I do can be done in nearly any version of Illustrator in the last few years. The pressure sensitivity is automatically detected, but you'll have to make a new calligraphic brush in the 'Brushes' pane with the diameter set to vary by pressure (in the pull down). Also check the 'Appearance' panel to make sure the option for 'new artwork has basic appearance' is OFF. Then you can set the overlay/multiply settings in the 'Transparency' panel at the top. Yea, it's slightly complicated for such a simple thing.
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  • Jason Rayner 1 year ago
    awesome!
    the shadows and highlights are what make the drawings, so gloriously shiny and soft at the same time =]
    thanks for sharing the process, it's really helpful.

    one question: what are your pencil settings? the paths seem to come out so well for you. is it just a LOT of practice or do you have a custom setting that you use all the time?
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  • Justin Page 1 year ago
    This is excellent! Thank you so much for taking the time to do this for all of us. Such an inspiration.
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  • shoshi 1 year ago
    Thanks so much for sharing your workflow! Your art is a constant inspiration, and I've learned a ton about the warp tool from this video and other's comments. Your style, even in digital, retains it's emotive touch. Thanks again for your contribution to the world of art and illustration!
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  • super flat 1 year ago
    Hey David -- great video. I'd never thought to use any of the distortion tools as a regular part of my workflow, but I can see that they can be super useful.

    It may be out of place to give you advice, given that you produce masterful work, but you could greatly simplify your coloring workflow using Illustrator CS5 (though I can see you like it old school). They FINALLY included draw inside and behind features, so you can shade within a specific color without a mess of layers (and you can also use live paint without it becoming a mess). You probably know this, but figured I'd mention it.
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  • David Merrique 1 year ago
    Thanks for giving us an insight into your process. Just one question, how do you do the shading with the pencil tool without going outside the shapes? Do you use "draw inside" in CS5?
  • David Lanham 1 year ago
    I just go for it and clean up later! :P I should probably try the draw inside though, I totally forgot they added that. Thanks!
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  • mauricio giraldo 1 year ago
    what software do you use to save this video?
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  • John Wattström 1 year ago
    Amazing! do u have a tutorial on wich tools u use and how you paint?
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  • Great video! I'm a vector illustrator who uses a Wacom as well. I hated the tablet at first but i took some advice that was passed onto me. Think of it and only use it as a mouse at first. Once you get comfortable with it and lose all urges to use a mouse again, then tackle Illustrator with it. You'll wonder how you've gone so long without it.
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  • Apollo Kaneko 1 year ago
    Wow, I've been in love with your work ever since I downloaded your Somatic icon pack. Are you thinking of making some more? I'd like to download them.

    Thanks!
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  • Dominik Lenk 1 year ago
    What do you do to control the width once you edit a path with the Brush tool? When drawing a path, the width is set depending on pressure, but once you edit it, it only stretches the stroke and doesn't redraw the width.
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  • platypuscarnival 1 year ago
    When drawing a closed shape ... how do you work around the "pinch" you get where the two ends meet? I've tried going back over the line segment with the brush tool, smoothing, warping etc. From the vid, it looks like you re-brush to move it to a less conspicuous place and in some cases add an additional stroke on top? Is there a way to "blend" those tapers? I use the new width tool for cleaner work, but I like the more traditional look of the brush tool.

    thx
  • David Lanham 1 year ago
    That's probably my biggest peeve with illustrator, I desperately wish there was an auto-smooth option for the line endings. For now, I generally end the shape a bit past the point where I started drawing, it leaves the shape open, but there isn't usually an obvious segment that way.
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  • Sarah H.M. 1 year ago
    Oh nice what program is this??
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  • nirman 6 months ago
    Hi David,

    I'm in such admiration of your work. Your vision of lighting and colors just STAND OUT! Yes, stand out with caps lock ON!

    How did you develop your vision for lighting and colors? Is there a way to learn color combinations and stylized lighting like you?

    Thanks so much for the videos. Hope to see more from you!!
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