Kavafis’ “Monotonia” and Vainegem’s “The Revolution of Everyday Life” serve as departure points for an audiovisual sculpture that attempts to deconstruct the very meaning of monotony; lack of variety, tedious repetition and routine. Deconstruction leads us to a cycle of events whose components are: illusion, obstruction, liminality an condition. Each component has individual characteristics, it is acted out differently and it is not bound to any specific order but is instead used to identify and create certain sets of scenarios.

The combination of image, sound, light and performance is intended to increase the level of sensory stimulation of the audience in order to suggest certain emotional thematics and structures. The objective then becomes to trigger the audience with a connecting language in multiple instances in a seemingly monotonous cycle.