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11. VIVID SYDNEY 2010
1 year ago
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No other festival in the Southern Hemisphere illuminates a city quite like Vivid Sydney.
As the festival of light, music and ideas, Vivid Sydney flicks on the ultimate light switch and ignites the city with spectacular colours.
It features the lighting of the Sydney Opera House, which sees Utzon’s iconic sails transformed into a spectacular living canvas with Vivid LIVE co-curator Laurie Anderson putting her own mark on Sydney's most recognised landmark. Now in its second year, it’s a harbourside artwork that’s grabbed the world’s attention!
From the 27th May through till 21st June the people of Sydney were treated to a wonderful journey of projection and imagination with incredible lighting patterns beamed onto iconic buildings around the CBD that when sped up, into a timelapse sequence, gives the festival an entire new dimension.
This visual story was shot over the entire festival period using the latest camera technology from Canon - the 1D Mark IV DSLR and a variety of Canon L-series lenses.
The projections were expertly done by well known Sydney based projection company The Electric Canvas.
There was no shortage of Sydney locals and tourists alike actively capturing the festival from every possible angle in a variety of different ways - still photography & video being the most popular.
No one I could see was shooting time lapse sequences which, combined with the magic imagery being projected onto various buildings and structures around town including the world famous Sydney Opera House, I believed would generate some very interesting imagery.
Vivid Sydney 2010 is a visual story brought to you by local cinematographer Marcus O'Brien from Indigo Zoom Productions. Hope you enjoy it!
If you do like it - press that LIKE icon in the top right hand corner - the more people who share the Vivid Sydney 2010 visual experience the better next year's event will be!!! Please also feel free to leave a comment as feedback is always welcomed.
Forward this link on so friends and family both in Australia and abroad can also share this wonderful Sydney Festival experience.
Please go to indigozoom.com for further information about this shoot, all equipment used and contact information regarding this work or if you are a production manager, producer or company representative and would like to discuss future projects.
Music: Alpha State - Album Mix
Artist: Marcus Schulz
The amazing music track used in this edit is by prominent global and No 1 American Club DJ Markus Schulz. You can buy his incredible music and learn about this very talented DJ here;
myspace.com/markusschulz
doyoudream.markusschulz.com/
markusschulz.com/biography.php
Other helpful links relating to this event and equipment;
vividsydney.com/
theelectriccanvas.com.au/
agbevents.com.au/
visitnsw.com/
eventsnsw.com.au/home.aspx
canon.com.au/en-AU/For-You/Digital-Cameras/EOS-Digital-SLR-Cameras/1DMk4
sunstudiosaustralia.com/
No other festival in the Southern Hemisphere illuminates a city quite like Vivid Sydney.
As the festival of light, music and ideas, Vivid Sydney flicks on the ultimate light switch and ignites the city with spectacular colours.
It features the lighting of the Sydney Opera House, which sees Utzon’s iconic sails transformed into a spectacular living canvas with Vivid LIVE co-curator Laurie Anderson putting her own mark on Sydney's most recognised landmark. Now in its second year, it’s a harbourside artwork that’s grabbed the world’s attention!
From the 27th May through till 21st June the people of Sydney were treated to a wonderful journey of projection and imagination with incredible lighting patterns beamed onto iconic buildings around the CBD that when sped up, into a timelapse sequence, gives the festival an entire new dimension.
This visual story was shot over the entire festival period using the latest camera technology from Canon - the 1D Mark IV DSLR and a variety of Canon L-series lenses.
The projections were expertly done by well known Sydney based projection company The Electric Canvas.
There was no shortage of Sydney locals and tourists alike actively capturing the festival from every possible angle in a variety of different ways - still photography & video being the most popular.
No one I could see was shooting time lapse sequences which, combined with the magic imagery being projected onto various buildings and structures around town including the world famous Sydney Opera House, I believed would generate some very interesting imagery.
Vivid Sydney 2010 is a visual story brought to you by local cinematographer Marcus O'Brien from Indigo Zoom Productions. Hope you enjoy it!
If you do like it - press that LIKE icon in the top right hand corner - the more people who share the Vivid Sydney 2010 visual experience the better next year's event will be!!! Please also feel free to leave a comment as feedback is always welcomed.
Forward this link on so friends and family both in Australia and abroad can also share this wonderful Sydney Festival experience.
Please go to indigozoom.com for further information about this shoot, all equipment used and contact information regarding this work or if you are a production manager, producer or company representative and would like to discuss future projects.
Music: Alpha State - Album Mix
Artist: Marcus Schulz
The amazing music track used in this edit is by prominent global and No 1 American Club DJ Markus Schulz. You can buy his incredible music and learn about this very talented DJ here;
myspace.com/markusschulz
doyoudream.markusschulz.com/
markusschulz.com/biography.php
Other helpful links relating to this event and equipment;
vividsydney.com/
theelectriccanvas.com.au/
agbevents.com.au/
visitnsw.com/
eventsnsw.com.au/home.aspx
canon.com.au/en-AU/For-You/Digital-Cameras/EOS-Digital-SLR-Cameras/1DMk4
sunstudiosaustralia.com/
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Marcus O'BrienCinematographer
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Vj Kiff2 weeks ago -
Paulo de Sousa3 weeks ago -
bernd bernewitz1 month ago -
Lewis Phillips1 month ago -
Sumana torsahakul1 month ago
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Tving2 months ago -
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Seoul6 months ago
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| Date | Plays | Likes | Comments |
|---|---|---|---|
| Totals | 2,937 | 111 | 21 |
| Feb 24th | 0 | 0 | 0 |
| Feb 23rd | 2 | 0 | 0 |
| Feb 22nd | 3 | 0 | 0 |
| Feb 21st | 5 | 0 | 0 |
| Feb 20th | 8 | 0 | 0 |
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Cheers....Pete
Thanks mate had alot of fun shooting Vivid around town.
Colours was fantastic this year. Glad you got amongst it too!
Cheers and catch u soon
Cuz.
Glad you enjoyed it.
More to follow
Welcome back!
My name is Peter Loxton and I was the Production Manager for Macquarie Visions event (a key component for VIVID Sydney) which is the majority of the footage in this video.
The creative mastermind of Macquarie Visions (Anthony Bastic) and director of AGB Events loves your VIVID video (as does the rest of us working on the event), so much so that Anthony would like to use your VIVID video as a promo tool for an upcoming proposal (leaving Sydney this Wednesday).
Could you please get in touch with us ASAP to discuss this proposal.
We look forward to hearing from you soon.
Kind regards,
Peter Loxton
Production Manager - AGB Events
e. ploxton@agbevents.com.au
w. agbevents.com.au
t. 612 9358 5982
Marcus
There's another edit of this stunning event coming out soon - stay tuned!
I have another version on Vivid Sydney with different timelapse shots mixed in with regular video coming out soon - stay tuned!
* NEWSFLASH - a second version of Vivid Sydney 2010 with new time lapse sequences AND motion video cut together about to be released!
Stay tuned........
how did you manage to get the right exposers in "the same frame" timelapses?
For example the projections on the buildings are exposes correctly, but at the same time you have a correct exposed sky (with stars).
When I do timelapse, I expose for about 30sec for a starry sky, but than of course, all the light up buildings are entirely overexposed. Don't tell me you did HDR Timelapse ;-) If yes, how that heck does that work.
cheers
HDR Timelapse - no.
I just played around with exposure times and ISO settings to achieve what looked like the right balance of correct exposure on the buildings and 'sky' light. The 1DMK4 shoots really clean low light images which also played a part.
Best just to vary your exposure times to see what captures your subject in the best light possible. Add movement into your frame and it changes even more.
TEST test test
30 sec exposure is what I used when there was no moon for the opening shot of the Beautiful Eyre piece. 30 secs is too long for cityscape captures where there's already loads of light.
Am about to upload a second Vivid Sydney piece shortly which has more sequences from Vivid Sydney 2010 you might like to see also.