
Brand New XH-A1 - What Not To Do
1 year ago
Just returned from a shoot in Emerald which is located in Central Queensland, Australia.
My almost brand new (2 or 3 week old) Canon XH-A1 is a little worse-for-wear. I don't want to give too much away so you'll have to watch the video ....
All I can say is "Ouch ...."
My almost brand new (2 or 3 week old) Canon XH-A1 is a little worse-for-wear. I don't want to give too much away so you'll have to watch the video ....
All I can say is "Ouch ...."
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Send that cam in for a servicing before you use it next.
Favorite part was the reversed explosion at the very end.
hope the cam survived?
Great footage - I hope it was worth it in the end????
"Oh, SWEET. Oh shit. No no, yes, cool, NO no no no , YEEESSS"
All the best,
T
dont know if i should cry or lough, but i got one question: the zoom at the startup has an amazing range; is it just the normal 20 x zoom or did you use any adapter?
nonetheless, way cool shot.
hope your cam is still working a-o-k!
Go to Australia with mastercard
This footage: priceless ;)
Yes, you gambled your canon but the final result is spectacular!
Great! And this is fear!
But it's worth it :)
If the camera still works then Canon should pay YOU for taking this great shot :p
"I don't know what you're talking about... it worked great for me..."
All The Best
-Blayke
The Blast-Sound at 01:25 sounds GREAT!!!!
Hard Hat to Protect Your Head - $25
Stable Tripod - $500
Canon XH-A1 - $4000
GETTING THE SHOT NO MATTER WHAT
PRICELESS.
THERE ARE SOME THINGS THAT MONEY CAN'T BUY,
FOR EVERYTHING ELSE, THERE'S MASTERCARD.
I like that!!:)))) LOL
: )
Hope it works still
-TJ
nonetheless, the rolling cloud was awesome.
GREAT footage Mate!
That's a VIMEO Hall of Fame Job if ever I've seen one!
HOW did you explain that one to the insurance company??? ;))))
Awesome!
nobody else saw that?
1. dig a trench pointing towards the subject slightly wider than the camera but deep enough your camera is below the top of the trench. if you can't dig a trench, built a low u-shaped wall of earth, concrete block, or other solid material around the camera position
2. set your camera far enough back into the trench or u-shape that you can still get the shot you want while protecting the camera from debris
3. use a short tripod set as wide as it will go and as low to the ground as possible. bury the feet in the ground for good stability or use sandbags to hold the camera still during the blast shockwave and initial ground tremors
4. get a piece of bulletproof glass or make your own economical and disposable glass with two regular pieces of glass and ballistic lamination between them (purchase 2" or 3" glass if you can't use the other two options). place the glass in front of the camera. It can rest on the ground, but you need to have something supporting it so it is not resting on the camcorder. The correct size will be big enough to set in front of the camera protecting not only the lens but also the camera sides, top, and tripod. your filter lens won't stop a 10lb rock traveling at 100mph
5. seal up the top of the position with a piece or plywood and enough sandbags that the blast wind won't blow the cover off. the construction or destruction crew will normally loan you what you need to cover all your positions since you will return it.
you were so very luck a rock did not come flying out of the blast area and hit the front of the camera or the tripod at high speed (or fall from the sky and hit the top of the camcorder after the dust cleared). If you build your position carefully, the ballistic glass will be the most expensive thing you will lose if something goes wrong.
Many people have lost very good cameras that way. 'Dirty Jobs' with Mike Rowe has a whole segment in one of their shows explaining the "unwise decision" of an unprotected camera in a blasting zone while Mike receives the now FLAT camera in a plastic bag from the blasting site foreman. The footage from a second camera shows the unprotected camcorder position being destroyed in the initial blast wave, followed by tons of the muck landing on the position, and finally huge rocks falling out of the sky and landing on the protected position of the second camera. It was a $8,000 lesson for their camera man, and it would have cost another $5,000 if the second cameraman had not covered his camera's position.
15-30 minutes prep with very little cost for the protective glass would have been all you needed to prevent this situation. Anticipation is the key to a good filmmaker.
combatfilms.com/cfrtv_archive_0016.asp
Thanks again for you concern and comment.
Sell that clip as stock footage & pay for your next camera.