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99. canon caravan + steadicam training
1 year ago
behind the Scenes of the workshop in portland. this is from day one of steadicam training. shot entirely with the steadicam merlin. now often we use the bigger rigs because of the added benefits they prodive, but when we get a chance to play with these smaller ones, such as here, it always surprises me just how clean the footage can look.

for those that haven't heard, san fran won the last stop for the cinema caravan and registration launched monday.

you can register here if your interested:
cusa.canon.com/cinemacaravan

P.

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  • Dan Hashemi 1 year ago
    Great video...what lens would you recommend is the best for use in steadicam work? I'm guessing wide-angles below 50mm?
  • Mark Fong 1 year ago
    check out their video on lenses: vimeo.com/13140360
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  • Panda Productions 1 year ago
    lens and setting questions.....?!

    In this situation, I have
    5D MkII + what lens w/ steadicam
    &
    550D + what lens w/ steadicam

    and what the setting I have to do on both cameras?

    Thank you, stillmotion!
  • stillmotion pro 1 year ago
    hey

    check out our lens tutorial or the review of the steadicam zephyr. between the two you will have your questions answered.

    P.
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  • awesome patrick and amina!

    i want mooore!!!
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  • Have a monitor on steady, but looking to 5D?
  • stillmotion pro 1 year ago
    we aren't running the monitors, we are running off the LCD of the cameras. we did a review of the zephyr where we discuss more about the steadi.

    P.
  • Mike Hall 1 year ago
    We learned at the Canon Cinema Caravan in NYC that they don't use the monitor on the Flyers. Its not hooked up and still has the plastic on the screen. They prefer to be looking up and monitoring the environment.
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  • Mike Hall 1 year ago
    I need to book some more work so I can trade-up from my Merlin to a Zephyr! The Merlin is just too prone to environmental factors, like a light breeze.

    I love the weight and controllability of the larger Steadicam offerings.
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  • Nick Nieto 1 year ago
    Hey nice....that is right down the road from me.
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  • by.luuvu 1 year ago
    Hahaha...look at me w the steadicam. It looks like I really know how to use it. hahah
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  • where can i see more of that model?
    she is beatiful
  • Trevor Meeks plus 1 year ago
    yeah, she almost completely distracted me from the frustratingly incorrect steadicam form being used... ;-)
  • go easy - for many this is their first time in a rig.

    P.
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  • Trevor Meeks plus 1 year ago
    Not trying to be an @ss or anything, but...

    I know you guys really like to use the LCD on the camera, but it is really poor form for steadicam operation. With the camera out in front of the operator, they're susceptible to back strain and possibly injury, especially once they move to heavier rigs. They should learn the basics first, then if they want to operate like this later, they can.
  • thanks trevor. we explain this thoroughly before they get into the rigs. different operators have different styles and i understand the resistance to the new technology when it comes to these rigs, but running off the monitor isn't practical with a shallow DOF nor for event work.

    P.
  • Trevor Meeks plus 1 year ago
    I'm totally not trying to start a debate here, but I'm very curious as to WHY this isn't optimal for you guys. I am in no way resistant to the new technology either - I operate a 1D Mark IV rig on steadicam, and learned to operate the "correct" way using a monitor, which is just fine. Now, I do operate for film type work - not events, but the whole idea behind having a monitor on the sled is so you can watch where you're going and not trip over things in your path - I would think this is especially important for on-the-fly event work, no? With HD monitors like SmallHD's DP-SLR/DP6, the argument that you can't monitor for shallow DOF critical focus might as well be thrown out the window.

    Again, not only is the technique shown hazardous for the operator because of obstacles, but also for the weight of the rig hanging that far away from their body. Also, having the rig to your side gives you much more control over the positioning of the camera and you aren't "chasing" the rig around.

    Just my $0.02 for what it's worth. I admire your work, guys, but the techniques being used seem like they might not be optimal for the next generation of steadicam operators.
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  • Ator Nisan plus 1 year ago
    Hi P I'm a little confused on the quick release plate on the steadicam pilot, I purchased one and the knob hits the plate when trying to tighten it, I'm using a 7d on the pilot, any ideas?
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  • CuatroManos plus 1 year ago
    Everything but the girl... not, everything precious.
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  • yeah that blondes a total babe.
  • Trevor Meeks plus 1 year ago
    she is totally gorgeous, but it wasn't enough to distract me from the annoyingly amateur steadicam operating techniques being demonstrated.
  • get over it
  • +1
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  • Realine 1 year ago
    На хрена такое выкладывать?
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  • Film Ślubny 1 year ago
    what is the music? great as always
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  • shinman 1 year ago
    what is the music? badly want it
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  • Hugo Misagna 1 year ago
    Excellent, full experience.
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  • Amarjae Fashion 11 months ago
    Whats the music playing? i love it
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  • hakero 6 months ago
    Music ?
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  • stillmotion pro 6 months ago
    hey guys

    music is from 2 seconds away from withetiquette.com

    P.
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  • Nicholas Lam 2 months ago
    Was that the 16mm to 35mm F2.8L I saw??? Not too heavy?
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  • Nicholas Lam 2 months ago
    Which lens is 0:02? What settings did you use to achieve close focus but with shallow depth of field?
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