Several paintings from Josef Albers' "Homage to the Square" series are translated into chords by dividing the frequencies of their component colors by powers of ten until the waveform becomes audible. The notes of the resulting chords are then adjusted slightly so that they fall into just-intonation intervals that sound consonant and resolved as a result of their mathematical simplicity. The re-tuned chords consist of waves that combine to form simple repeating patterns that remain in sync indefinitely. After the chords were re-tuned, the colors of the original painting were adjusted to match the new frequencies. In the final presentation, Albers original painting is first shown with its corresponding chord, then the colors and pitches slide together into mathematical 'tune' over a period of about half a minute. The complex waveform of the original painting can be heard resolving into the simple, synchronous sound of the just-intonation chord.

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