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Canon 5D
Zeiss ZF lenses 35mm (T2.0) & 50mm (T1.4)

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  • Jennifer Connolly 1 year ago
    Beautiful shots, David. Great editing too!
  • david j. cain pro 1 year ago
    Thanks JC!
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  • Mike Ellington 1 year ago
    How do you do the slow zoom in/out on your time lapses?
  • david j. cain pro 1 year ago
    Did the zoom in post, Mike. But recently bought an Omni-tracker dolly - which I use a lot now. Fast and portable. Also learned later that shooting RAW or large JPEGs will give you a lot of latitude in post for zooming in. Thanks for watching!
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  • LDG TTATTOU 1 year ago
    bravo
  • david j. cain pro 1 year ago
    Merci Luc!
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  • Great job - love those lenses!
  • david j. cain pro 1 year ago
    Thanks! Yeah, I love 'em too. Tack sharp and beautiful bokeh. I'm amazed so many 5D owners go for the L-Series. Now Zeiss just needs to make a few more primes and a zoom...
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  • Steven Ringrose plus 1 year ago
    Love love love the editing on this video. Beautifully shot too - the video on the 5D continues to amaze me!
  • david j. cain pro 1 year ago
    Thanks, Steven. The positive comments are encouraging.
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  • whaylon arthur 1 year ago
    nice!
  • david j. cain pro 1 year ago
    Thanks
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  • serapi soler rojo 1 year ago
    Hey, I've got one question. I've I buy the canon 5d and I use the lens that come with the camera, the result it's good or I'll need to buy extra lens to make it look good.

    thanks man
  • david j. cain pro 1 year ago
    Hi Serapi

    Your question isn't an easy one, so there is no real straight forward answer. Also, I'm going to assume you're shooting mostly video on the 5D. If you're shooting stills, then there are a number of other considerations that I won't go into here.

    Typically cameras are "packaged" with a zoom lens. Sometimes they can be good (for example, B&H has the Canon L series 24-105 mm ƒ4 paired with the 5D) or not very good. These are exceptions I'm sure, but typically these "kit" lenses are usually targeted at consumers, not professional users. And, in general, they will be slower and not as sharp as more expensive lenses that are sold separately.

    In my case, I invested in lenses that would last over the course of my career. I'm a cinematographer, so I bought fast (ƒ1.4-2.8), top quality glass (coatings, resolution, bokeh, etc) and rugged construction. They're expensive though, so if you're not making money with those lenses, you might want to consider just how "good" do you need your images to look? If you're starting out and exclusively shooting HD video for the web or TV, then maybe a kit lens will work fine until you can afford better quality.

    Hope that helps.

    David
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  • Electrobank Media 1 year ago
    This montage is beautiful and the image quality is amazing I've shot on HD video cameras in the past but the 5D leaves them standing! great editing and choice of ambient score too.

    Glenn
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  • FKY plus 1 year ago
    Really inspiring... I like it !
  • david j. cain pro 1 year ago
    merci bien!
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  • MILKBOX 1 year ago
    hey man, great video!
    Would you mind sharing what program you used to grade it?
    Thanks!
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  • david j. cain pro 1 year ago
    Of course. FCP's three-way colour correct. Increase the contrast (crush the blacks, increase the highlights to desired tastiness) and de-saturate the colours. As for colour... I've been going with a slight cross-processed look - though there are no current examples of it on this V page. Broadly speaking, I go for green in blacks, yellow in highlights and yellow/red in mids. Still keep a de-sat look though, hence the "slight" modifier. Hope that helps. Thanks for watching.
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  • I really enjoyed the editing and the music. Did you purchase the music or get permission (or neither)? I am struggling with finding great music and I am not sure what is allowed for usage in self promo like what I upload to Vimeo.
  • david j. cain pro 1 year ago
    Thanks. Without permission. Because it's not for commercial use or for a client, I'm hoping to escape any legal imbroglio. One of my corporate clients uses Pound 5. Not bad, but you've got to hunt. And APM music is great, but expensive. I really like the track on your Miami relapse, Tennant. Nice that it's granted.
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  • Dan Adlešič 11 months ago
    what song is that?
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  • Russ Sakauye plus 8 months ago
    Very nice. I have the Canon equivalent lenses EF 35 2.0 and EF 50 1.4. I guess the reason why you use the Zeiss glass is more light transmission? Or are the mounts changeable?
  • Russ Sakauye plus 8 months ago
    Also, did you use Twixtor for the over-cranks?
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  • david j. cain pro 8 months ago
    Thanks Russell. I bought the Zeiss glass for a variety of reasons, chief among them: speed, sharpness, build and being fully manual. I looked at the L series and loved them but wanted lenses that were fully manual and therefore somewhat future-proof for any camera body. Mine are F-mount with Coyo adapters. No complaints.

    As for the over-crank, I retimed using Motion.

    Cheers
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