One of the things I like is the issue of time that is involved in these things. For me there are all kinds of dimensions of time that are encapsulated in this pot. A simple one is actually about how it's made, that they have a kind of look as though they've been slapped together very quickly, but actually when you see her working practice it's a very meticulous, not laborious, but it's not a speedy activity. But she has flat sheets of clay that she paints and puts the clays and slips and colours on, and then those designs that she's laid out suggest the form. Then she starts building the form and then she will put more colours on over the top, and sometimes they go through several different firings to get the right balance, and I like that tension.

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