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This was all shot on the RED 4K Digital Cinema camera using Nikon lenses. Lenses used were the 20mm f~2.8, 35mm f~2.0 and the 85mm f~1.8

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  • Dave Christenson plus 1 year ago
    looks so good...that nikon glass really creates a nice image!
  • Dave Christenson plus 1 year ago
    i just watched the other RED clips on your site...looks amazing! the zombie one was crazy...that dude has one hell of an arsenal!
  • 599 Productions 1 year ago
    Next time I go out there I'm hoping to get some more stuff with the guns using the 80-200mm Nikon zoom that I have now. Its a very cool lens and at 120fps 2K it would be like a 400mm lens, great for close ups of explosions.
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  • Martijn Doornenbal 1 year ago
    really cool! the sky timelapses at the end are wonderful!
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  • 599 Productions 1 year ago
    The Nikon glass is really sharp and creates some awesome images. Plus its about the 1/10 of the cost of a PL mount cinema lens. The high end PL mount lenses do create some amazingly sharp images as well.
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  • monso 1 year ago
    wow.incredible.........
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  • Frederic Vercammen plus 1 year ago
    wow
    awesome shots
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  • Sebastian Jasiorkowski 1 year ago
    you guys should put up your LA timelapse videos.
  • 599 Productions 1 year ago
    They're coming soon to here.
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  • Ivan Faerman 1 year ago
    holy fuck...

    the first shot reminded me of the dark night...

    these nikons are standard 35mm photography lenses right?
  • 599 Productions 1 year ago
    Just regular kickass still photography lenses. "Bourne Ultimatum" used re-housed Nikon lenses to shoot most of that movie.
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  • Wayne Avanson plus 1 year ago
    Absolutely beautiful images, can't take my eyes off them. Can't seem to take my ears off the music too, what is it please?
    Avey
  • 599 Productions 1 year ago
    The music is from the "Solaris" soundtrack.
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  • Samu Ainesmaa 1 year ago
    This is just too much :O

    Amazing.
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  • Bill T. 1 year ago
    Nice piece, I think the monotone Glassian-style track works best for timelapse, compared to the tracks in the other pieces which seem to suggest some sort of event is going to happen, which doesn't arrive.

    The Nikon glass is best at around f5.6, f8. I really don't feel they compare that well with top end cinema primes, which at the expense of a whole lot more expense are excellent from around f2.3 on up. The 35 f2 definitely needs to be no more open than f4+, the 20 and 85 are decent but not super wide open. Have you noticed any color fringing on the Red sensor with the 20 or 35?
  • 599 Productions 1 year ago
    I haven't noticed any color "fringing" using those lenses.
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  • sykaruga 1 year ago
    I love this track
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  • Justin 1 year ago
    this is fantastic- I'm so jazzed about the red series of cameras- do you have any footage of the red one in 180fps burst mode- is their any loss in image quality in this mode?
  • 599 Productions 1 year ago
    That's Scarlet that is suppose to do 180fps burst. I have a couple of clips at 120fps posted on here. At 120fps your shooting at 2K, which isn't as sharp as 4K but it still looks good.
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  • Patrick Lenard 1 year ago
    Absolutely hypnotic. I love the score to Solaris.
  • 599 Productions 1 year ago
    Yeah it does fit quite nicely. Its also one of my favorite scores.
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  • Liam Underwood 1 year ago
    Damn, nice shoot mate! i hope my new EX1 and Letus can match stuff like this
  • 599 Productions 1 year ago
    The equipment helps a lot. But in the end its all about the one who took the shot. All my timelapse before I got my RED camera was shot on a Canon 20D, which is a digital still camera. Those shots turned out very good as well. I still use my now Canon 40D to do all my night timelapse.
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  • BenjaminScot 8 months ago
    Love the composition.... especially of the building. the 85mm shots of the water are beautiful. very good eye!
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  • Dave Deacon 8 months ago
    Very relaxing to experience. Thanks.
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