Wow. In terms of high quality workflow, this is an exponential improvement.
1/2000 is great for sunny days and slo mo.
A couple things though...
The highway shot at the end got overexposed. Once you set the cam up for each shot, let the auto exp do its thing, and then adjust down from there to make sure the highlights don't blow out.
Here's the bigun: the slomo is not smooth, which is the benefit of 60i. There is a complicated after effects tutorial on hv20 for how to do it:
hv20.com/showthread.php?p=47024#post47024
Except use 40%, not his 50%. Also see if you can snag a copy of twixtor pro, to make anything into smooth anything.
Maybe the highway shot was blown out by contrast in post. This is where luma curves really change the game. I lower the contrast a lot in post and then use curves to give the midtones that high contrast feel without blowing out the blacks or whites.
The ones with the sopranos guy on the bike and the basketball were really great. I think the third should be indoor at 1/60 while using the tripod as a steadicam to get smooth moving shots. The moving shots are almost always more enjoyable unless you're going for a particular rare stillness effect. Watch Sweeney Todd with all its sweeping indoor steadicam shots to the swooning music. And if you master curves for color grading, you'll be untouchable.