T O in 2 4
1 year ago
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1. T O in 2 4
1 year ago
This is a 5 minute sample of a film I Produced, Directed and DP'd, entitled T O in 2 4. Hope you enjoy.
"Over the course of 24 hours, we take a cinematic journey across a landscape of rituals, traditions and everyday miracles that define us as human beings."
Music (crank it loud) by: Claudio Vena
hildebrandfilms.com
"Over the course of 24 hours, we take a cinematic journey across a landscape of rituals, traditions and everyday miracles that define us as human beings."
Music (crank it loud) by: Claudio Vena
hildebrandfilms.com
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MP4
00:05:19
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Love your cinematography and editing.
Very cool.
Great work.
Also Dustin, I've looked at your timelapse work and the AE techniques you've implemented - they are outstanding. Would love to combine efforts some day should future opportunities allow it.
Pearson Airport? Security didn't bother you?
Anytime I even begin to set up a tripod, I've got security coming up telling me that it's not allowed...handheld, sure, but no tripods.
Suggestions?
Everything at the airport was coordinated with them - they were great. That's why I was able to do all kinds of dolly shots, shots from the tarmac, crane shots, shots inside the control tower, shots inside jet cargo holds (not seen in this short, but in the full length version), and the list goes on.
I was very fortunate. Had a great team and we really got into places I never imagined we could (or sometimes, even knew existed). But we certainly did spend a long time prepping before we went to camera.
However, it also involved getting kicked out of more places then I care to admit. Hee-hee.
I really want to thank you for the wonderful close up of the gentleman at 3:16 in this trailer. His name is Tony and he was a member of our drop-in community. He passed away last year and it was very touching for us to see how tenderly and respectfully you treated him in your work. Thank you for that. He wasn't treated so respectfully by a lot of people in TO, especially the closer he came to the end; but to see him through your lens...wow.
Again, thank you.
I remember meeting Tony and arranging to film both him and another gentleman. When I described the film, I used those exact words - that I wanted to treat them respectfully, and I am very appreciative that you feel I reciprocated that promise.
In the full length film, the goal was to begin with the birth of a child (dawn of a new day), we then go through the morning rush hour, the sacred ceremonies as the city comes to life, lunch hour gluttony, the afternoon work force, the forgotten people, end of day rush hour, dusk, night, and finally back to dawn (with the birth of the newest citizen). During the "forgotten people" section we covered the homeless, the elderly, children in intensive care, the dying, even the dead. Tony's involvement in the full length film is much more detailed then what you see in this short and his dedication and commitment were steadfast. Even while filming, he was being disrespected by some people around him, but he kept focus on what we were doing together and delivered a soul searching look directly into the camera that I get comments on every single time I screen the film. He touched my soul and I hope that I can provide a tiny window for him to continue to touch the soul of others.
Most respectfully,
Dale
I'd be interested in watching that movie, as a Canadian cities lover. Exactly the type of work I enjoy doing, filming city life(ves).
Best
Note: the DJ is never seen in the film which also makes it easy to version in other languages. Currently it is versioned in English, Mandarin and Italian.
Cheers,
Dale
By your contact info I'm guessing you're not in T.O. If you are doing a similar multi-cinematographer project in the future, and looking for contributors, let me know.
Cheers,
Cyrus
Thank you for your interest and kind words.
It is visual-art film style, different from Godfrey Reggio.
Keep going Dale.