(16mm; 3 min; silent)
In the scope of human history, the cinema is a young machine. According to Hollis Frampton, it is also the last machine. It is the first machine capable of reanimating the dead. At 16 frames per second, it begins to breathe life into otherwise lifeless cells—the inner-workings of the machine imperceptible to the human eye. At 24 frames, “it’s alive!”
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