A story about the Serbian pavilion at the Venice Biennale 2010 - (why estranged seesaws and moving plants; why x-klatz, fork-klatz, herb-o-bile, tree-tread, plant-o-pet, bush-o-rush?)
... and why this architectural questioning-environment where seesaws are moving up and down and mobile-plants are going here and there, challenges various sets of common assumptions related to ourselves and others, social determinism, and the natural environment and the risks we are (un)willing to take when encountering the unknown?