For this sequence, from The Rules of Attraction (2002), I directed Kip Pardue to remain in character as the vacant, vapid, and self-absorbed Victor from the moment we stepped onto the plane to Europe until the moment we returned to Los Angeles. A blinding twelve cities in two weeks shooting every possible moment on a Sony PD-150. It was an endurance test. I told Kip that I would have 24/7 access -- no matter how intimate the situation. With no script, and the loosest of plans, I tracked Victor as he partied across Europe in the shell-shocked weeks following 9/11. We would be raving with Paul Oakenfold one day in Dublin, and then at a Ford model party in Paris the next. Five minutes into a conversation with, say, an heiress or a model, I would stop shooting, explain who we were, that Victor was actually the actor Kip Pardue, and that we were shooting a scene for my latest film, The Rules of Attraction. Our only other crew member, Academy Award™-winning Producer Greg Shapiro, would then step forward and get them to sign a waiver, and then Victor would proceed to dawn. I didn't sleep more than a few hours those two weeks. Months later, Kip would receive calls from the various girls Victor had hooked up with who were confused as to what was real and what wasn't. Who were we? Where is Victor? I cut the 70 hours of footage down to these 4 minutes which I cut into the film. Years later I decided to form the unused footage into a musical tone-film of all it's own: Glitterati.

Note: I am the director of this film, The Rules of Attraction (2002), and this clip is fair use under U.S. copyright law because it is (1) non-commercial, (2) transformative in nature, (3) uses no more of the original work than necessary for the video's purpose, and (4) does not compete with the original work and could have no negative affect on it's market.

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