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There's something about looking at a thing without all the gaps filled in that makes it awesome.


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Filmed on a Canon 7D in burst mode and stitched back together

Music: Ryan Bingham - That's how strong love is
(originally Otis Redding)

Credits

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  • Sami Khan plus 11 months ago
    this is cool ryan! can you quickly walk me through the post-process?
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  • Kevin Dooley 11 months ago
    Wow - that is really a cool look. So you stitched the stills back together and just added the rest of the feel with color correction, sound effects, and film damage? I like it, I like it a lot.
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  • Ryan Hargrave 11 months ago
    That's pretty much it. :-)

    I shot everything at JPEG-small resolution on burst mode so I would have a sizable buffer.

    Then I used Quicktime 7 to open all the images as an image sequence at 12fps - Saved that out as ProRes 422 - 12fps at full resolution.

    I took that file and brought it into a Final Cut 1920 x 1080 ProRes 422 23.98fps sequence and got the scale/crop that I wanted on each "scene". I render that into a "working file". Technically I could have applied all my effects to this sequence, but I am on an older Mac Book Pro and it chokes on the large native movie... so I rendered it out instead... plus I'm not worried about degradation here.

    So now I have a 1920 x 1080 ProRes 23.98fps movie file(s). These are basically my working files that I import into FCP and apply all the effects to and cut up for the edits.

    As to the effects it's basically Colorista II to set the color and blow out the highlights. the Magic Bullet Misfire to apply the fading, scratches, vignette, etc..

    Finally I added a mask from FCP and then feathered it a bit to make the crop look good, looped a projector sound effect and there you have it.

    I think that is all of the process. Towards the end I realized that if I over exposed the still slightly in the camera it made post a bit easier becuase I didn't have to fake it. All the upfront rendering of the stills and scaling down the full size files were a pain, but it was worth it.
  • Pedro Bros 11 months ago
    Very simple process. It really looks like super 8. Plus all the savings on the transfer. Hehehe

    Thanks for this great idea. really creative.
  • Ryan Hargrave 10 months ago
    That was actually what led me to give this a try. I've been looking for a super 8 camera and looking at how to get that footage into a digital format and its fairly involved and the image degrades pretty quick.
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  • Catchlight Cinema plus 11 months ago
    This is Great! Love the look!
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  • Dave Griffin 11 months ago
    And that 7d firing away probably makes about the same amount of noise as the old hand-wound 8mm cameras did back in the day -- adding to the authenticity... Very creative!
  • Ryan Hargrave 11 months ago
    It does! my first tests we're on some friends and when it started clicking away they didn't know what was going on!
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  • James 'Jimmy' Moreland plus 11 months ago
    That is really cool, Awesome Job!
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  • Kevin Dooley 11 months ago
    I just freaked out our producation assistant by following her around the office shooting pics in burst mode - I was surprised that it just kept firing off pics... definitely need a fast AF lens though... I missed focus with my old SMC 50/1.4 a few times.
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  • Contrast Productions plus 11 months ago
    Brilliant! This is awesome!
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  • Matthew James Price plus 11 months ago
    Wow! Great video Ryan. Reminds me of the Wonder Years. Bravo!
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  • James Drake 11 months ago
    quite nostalgic indeed. great idea for future projects!
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  • Dailey Pike pro 11 months ago
    Unique. Liked.
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  • Oasis Films plus 11 months ago
    Ryan.... interesting technique... can you describe your camera settings?
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  • Paul Liu 11 months ago
    very nice, like it a lot.
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  • Ryan Hargrave 11 months ago
    @Oasis

    They were really different inside and out. I think I shot mostly in aperature priority mode to try and keep a fairly decent depth of field. I nudged the exposure up about a 1/2 stop.

    The style is very forgiving when it comes to settings since it has a nonperfect feel to it. But mainly I'd stick with deep focus stuff opposed to shallow since most of the 8mm stuff was never shallow.
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  • Shari Bee 11 months ago
    gorgeous ... cant wait to give this a go! thanks for sharing the process
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  • David Gerber 11 months ago
    so would this video be pretty much the same as 4k video?? as far as resolution
  • Ryan Hargrave 11 months ago
    basically yes. I shot a small JGEG ,which is like a 2K, to give more buffer. But you could easily do the large JPEG setting for 4K... the buffer won't be quite as big though.
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  • Michelle Brown plus 11 months ago
    I fully plan to chase my dogs around the house trying this out. Very cool idea Ryan! Thanks for explaining your process too.
  • Ryan Hargrave 11 months ago
    sure thing. thanks for the kind words.
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  • Adam Juneau 11 months ago
    why didn't i think of such way?! this is marvelous..
    anybody who don't have video cam could make thing like this, as long they have hight speed continuous burst on the dslr.
    question: is there any particular CF card to use?
  • Ryan Hargrave 11 months ago
    I shot with a class 3. But I would guess that a class 4 would be a little better from a buffer standpoint.
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  • Andrea Menzo 11 months ago
    Hi Ryan, thanks for placing an "i Like" on my video! I like very much yours too!
    I don't know about you, but for me my little video
    is a tribute to my father filming me and my brother more than forty years ago with a real Canon 8mm film camera!
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  • Kevin Dooley 11 months ago
    Question - would you get similar results by taking actual video and dropping it in an AE timeline that is set to 8FPS (or whatever - 7D shoots 8FPS) and then rendering that out? This would give you the ability to roll sound if needed and might actually be a little easier to shoot... I'll have to try this since I don't actually have a 7D...
  • Ryan Hargrave 11 months ago
    Kevin, i tried this and it'll get you partially there, in my opinion. It's my experience that this effect works so well because of the randomness of the fps. And randomness of motion blur created by shooting still in aperture priority mode or something similar.

    I don't think it's just slower frame rate that give a handcranked 8mm effect. it's all the anomalies that go along with it. Perhaps if you wrote an expression in AE to frame drop at random places and added various motion blur between frames (or pulled it out by shooting at a faster shutter speed) it might get a lot closer.

    It's been my experience that outside of a true pro doing post work.. it always ends up looking like post work.
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  • Jon Woodbury 11 months ago
    The shutter is only rated for 150,000 actuations. You'd burn your shutter out pretty quickly. I'd definitely use it for short clips but it's truly brilliant! Thanks for posting it!
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  • Roger Chua 11 months ago
    would it be possible to do the same thing with just using quicktime to create it at 12fps from 7 or 8 fps and not converting into 24fps later on? i am asking because i do not have fcp. :(
  • Ryan Hargrave 11 months ago
    I would assume so. Give it a shot and see what happens.
  • Roger Chua 11 months ago
    thanks. gonna try it tomorrow. :)
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  • Dan Shallenberger plus 11 months ago
    Nice video! I played with this technique, but more for a "stroby" energetic feel, as opposed to a vintage feel. I really like the vintage look though. You're right that the anomalies really make it feel more authentic.

    Were you shooting at the high-speed 8fps with yuour 7D? Do you think shooting at a slower 4fps would yield too few frames and make it too herky-jerky?
  • Ryan Hargrave 10 months ago
    Yes I was shooting the High Speed mode. Not sure but the 4fps might make it look too worn. Mayeb just give it a shot and see how it looks.
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  • Jon Woodbury 11 months ago
    Okay, I've now watched this many times over the last two days and I've just left it up in a window in my browser. I just really love it. What an innovative technique to replicate a long-gone feel. Thanks again for sharing.
  • Ryan Hargrave 10 months ago
    Thanks... I appreciate the kind words!
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  • tonikoskinen 11 months ago
    Very inspiring! The projector sound effect really tied it together. Thanks.
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  • David Anderson 10 months ago
    Very heart warming, that's a keeper! ... on a similar note, I simulated an assault on a woman by her enraged husband. Recalled through flashback from her POV, the camera records an entirely darkened room. I use a mecablitz cl45 to paint the ceiling in 'w' mode. The man punches the woman in slo mo. The strobe effect is patchy... sync don't matter. In imovie, I delete out however many black frames needed for effect. Played back the footage naturally speeds up, and the man looks like he's seriously laying in to the poor girl.
  • Ryan Hargrave 10 months ago
    do you happen to have the link to that vid?
  • David Anderson 10 months ago
    Hi Ryan

    Sadly no link... yet. I am still a vimvirgin and yet to post...ahem. The results are so so and need finessing.The 'proof of concept' sequence I shot using a canon G6. I have yet to shoot the script that includes that particular scene. Will repeat with my 5D and try it in B&W... though thinking about it, surely it must have been done before? A case of convergent evolution I'd say.
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  • Thrillpill Films plus 10 months ago
    Hey! Just thought I'd let you know that we've featured this video on our blog as part of our Cool Internet Stuff series.
    What a fun little video. Really out a smile on our faces. :o)

    onesmallwindow.com/cool-internet-stuff/cool-internet-stuff-vol-16/
  • Ryan Hargrave 10 months ago
    wow, thanks so much for featuring it! I really appreciate it. Love the site too.. just added it to my feeds
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  • Kim Riester 8 months ago
    cool Video. I love the Burst Mode.
    Look here, thats my try.
    vimeo.com/11814859
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