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This is the 2nd story made with frame grabs from Chuck Bentley's new DVD 'A Postcard from Ireland'... with music by Randon Myles Chisnell and a solo vocal of 'Danny Boy' by Catherine Sugar.

When we went to Europe in August we flew over Ireland... taking pictures of the beautiful sunrise seen from the air. At the same time, on the ground, Chuck and Donna were just waking up to their first day in Ireland to shoot his video, seeing only greyness and clouds.

Credits

3 Likes

  • James Tate 1 year ago
    Lovely. I'm from Irish stock so this means something to me. It looks like you've settled mostly for the PS3 default pan and zoom - or are you just being very subtle?
    Was the original video shot with the monochrome/sepia effect or did you add that. I love the atmosphere it produces. I know that Ireland, like Scotland, is not renowned for long-term sunny periods but I don't think it ever really gets so devoid of colour.
    As with Brian Frankforther's work, I think there's scope for developing more monochrome pieces.
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  • PapaJohn plus 1 year ago
    thanks James... glad you like it... for the first of the two Irish stories I used the defaults all the way. In this one I did them all, so maybe I'm being subtle... just trying to slow the movements down to align more with the music.

    The video was shot on a mini-DV camcorder and the DVD is in full color. I told PS3 to apply the sepia tone effect to all the pix, then pulled the one picture of the 4 leaf clover back to normal... for at least a little touch of green.
  • Sam Thompson 1 year ago
    Hi PapaJohn I have just started using Photostory and was really impressed by this video. I was born in Northern Ireland and lived there for 34 years. If the intent of the picture was to highlight the green Shamrock then you got it wrong. The shamrock is a three leaf clover which supposedly represents the Three Devine Persons or Holy Trinity
    Sam
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  • Ray Anderson 1 year ago
    Not fair, John, playing that girl's lovely version of Danny Boy--with that music, I'd weep and applaud a video of grass growing--but why in the name of sweet Jesus on a raft did you end the piece almost in the middle of one of her words!?!?! (I had no doubt you were doing the zooming with that long and languorous descent to the sea that ends the piece--whose effect I say again you undercut by not letting that darlin' girl finish her song!)
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  • PapaJohn plus 1 year ago
    I'll revise it to let her finish... yes, she did finish... I cut her short by over-pruning the body of the story.
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  • Ray Anderson 1 year ago
    Sorry for being a grouch, John (I just got back from two hours at the bloody dentist)--I don't do smiley-faces but consider one done. I know you don't like to think of yourself as an artist, but I think I see you poking your nose out of the closet.
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  • PapaJohn plus 1 year ago
    hmmm... letting her finish the song means another 2-1/2 minutes added to the story... maybe just finish the sentence, the stanza?? Nope, I'll let it go to the end, but it'll take a little more thought than just extending the duration of the last picture.
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  • PapaJohn plus 1 year ago
    you couldn't be a grouch if you tried...
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  • James Tate 1 year ago
    How about filling the 2-1/2 minutes with a selected still overlaid with slow scrolling credits? It would be nice to see the song out.
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  • PapaJohn plus 1 year ago
    We're thinking alike.... scrolling text of some sort, maybe not credits.
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  • John Bagby 1 year ago
    I especially liked the continuous zoom-in because it made me feel as if I were walking down the winding pathway to the sea.
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  • PapaJohn plus 1 year ago
    Hi John... when you're ready for another walk, the rest of the song is there.
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  • James Tate 1 year ago
    That's it - a true sensual delight. There are so many elements to this that it's difficult to know where to start. I thought that viewing in full screen, with the loss of definition, would detract from the visual experience but the result is in fact an 'impressionistic' effect that, for me, works very well. As John pointed out, the slow passage down the path to the sea creates the illusion of descending to a long awaited destination and the frame at the end of the descent makes it all worthwhile. The inclusion of the scrolling text at the end could have detracted from the experience but in fact it rounds it all off nicely. with a stack of relevant and appropriate information. And, of course, we get to the end of the song sparing poor Ray any further anguish.
    Seems to me that PapaJohn has revealed a previously hidden talent for the artistic - as Ray hinted at earlier. I love this piece and had hoped to grab the wmv for storage in my 'Vault of Hidden Treasures' for private viewing but, unfortunately, it's not available for download.
  • PapaJohn plus 1 year ago
    I thought the reading of slowly scrolling text at the end might be a conflict of interest with listening to the rest of Catherine singing, but in the end left it to the viewer to either listen or read, multitask, or watch it a couple times to focus on one or the other.

    You might get a copy yet. I usually leave the download option on, but in this case turned it off until I've gotten more comments from Catherine who sang it, Randon the musician, and Chuck who made the DVD used for the frame grabs.

    Thanks James for your comments... now back to my closet to get some other things done.
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  • Ray Anderson 1 year ago
    Right on, John! I, too, thought a longer scroll might be the solution, but I didn’t want to get in the way of your finding an alternative. I think what you say about the listener/viewer’s choice to play it again is just right. (You may recall that I tried the same thing in a clip—and strange but true, as they say, with Danny Boy—about which it was said that listening to the lyrics and reading the poem created conflict. My thought then was as yours is now: then play it a second and third time until you get it.) Your choice of the Wikipedia text couldn’t be better. (Another aside: my clip was about my son Danny and so I was surprised and happy to learn from your scroll that the relationship of a father to his son Danny conceivably was the source of the song. Wow!) One teensy-weensy artistic touch to your video would make me content: can you, the way I think Brian F. did at about .08 on vimeo.com/2045561 Photoshop the shamrock so everything surrounding the green becomes sepia? I think the shamrock would jump out even more while the entire image would blend with the rest—as it is, I find the full-color image a bit jarring. I will fully understand, though, your inclination to stay in the closet. As long as Bernadette is willing to serve you three squares a day there, you’re in good shape.
  • PapaJohn plus 1 year ago
    Thanks Ray, I tossed the shamrock image to Bernadette for the Photoshopping... there's nothing you don't pick up.... in the visual or sound.

    Between PS3 and vimeo, making such changes are easy and this kind of ongoing commentary is very rewarding.
  • PapaJohn plus 1 year ago
    I replaced the shamrock image with a Photoshop retouched version... and am putting aside this story for now to work on other projects.
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