A work in two sections, Pinkk begins in the front of house where performers are situated in space defined by visqueen. All three performers begin establishing relationships with the audience outside of the performance space proper. This area is called 'plastic fantastic'.
The action is then moved into the theatre space where audience and performers occupy the same area on stage. This area is called 'room'.
Some conceptual motives include: intimacy as exhibition; aural cues which support the physical action and can present conflict; characters established by performers through their physicality and audience interactions; performers gradually ask more of the audience – become more dependent on the audience to “do” things, occupy the “performance” space, and ultimately control the physical movement of the artist. The 3 “characters” engaged the audience on physical, conversational, and /or performance levels. Each performer provided varying degrees and types of engagement.

Pinkk on tour included the cities Minneapolis, San Francisco, Seattle.