Deftly weaving together intense physical movement, spoken word, vocal music, and the "theater laboratory" ensemble techniques originated by Jerzy Grotowski, Rosanna Gamson stages a profusely evocative dance drama around the story of the tarpan--an extinct species of Eurasian wild horse that was genetically "reassembled" in the 1930s through back-breeding of domestic horses. The Los Angeles choreographer braids this allegory of
regeneration with reflections on the history of her own Polish-Jewish ancestors, horse traders from Szczecin, and the fate of Polish Jewry. Tov takes its title from "Gamzu l'tovah" ("This too is for the good"), a favorite saying of
one of Gamson's forebears, Talmudic scholar Nachum ish Gamzu, who found God's hand even in tragedy. The full-evening work features a cast of fourteen American and three Polish performers, with text spoken and sung in Hebrew, Polish, English, Yiddish, Bulgarian and German.