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Steve, Jens and Scott of Zacuto USA walk you through how to use your DSLR camera for digital cinematography. See what equipment you need to get great tripod and handheld shots using the new Canon 5D Mark II and Nikon D90 for HD video cinematography. Learn how to handle audio using a DSLR with boom and wireless mics; see these new 35mm depth of field cameras that are going to revolutionize the independent filmmaking industry everyone is talking about.
To learn more: zacutoDSLR.com
for more Zacuto videos: zacutovideo.com
  • Jan van der Meer plus 3 years ago
    Thanks for great info. Which camera was used for this? Amazing quality so sharp it hurts! :-)
  • Steve Weiss sponsor 3 years ago
    HVX200, used compressor to prepare for Vimeo. I would have used a DSLR but I only have two and they were both in the video
  • Scott Morrison 2 years ago
    i must agree, awesome video quality. i am a fifteen year old aspiring film maker and am very new to compressor, so if you dont mind me asking how would you go about getting a 15 minute video to be that sharp for 443mb? I have to also thank you guys for making these products! i cant afford them but it gives me something to dream about haha.
  • T 2 years ago
    That rig must weight over 15 pounds - I'll stick with my $20 monopod that weighs less than 1 pound
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  • Ron Coker plus 3 years ago
    Ha Ha Ha. The object of DSLR Cinematography is mobility. Like 16/35 F2.8 up front, a compact fluid head with sticks. Game over.

    Viva the 5D Mk ll
  • Otavio Dias 3 years ago
    You got the point.
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  • Cliff Spence pro 3 years ago
    Free Filmmaker kit for third commenters, right? :)

    Can't wait to get my hands on some of this.
  • Steve Weiss sponsor 3 years ago
    No, but how about 30% off for 3rd place? Contact mandy@zacuto.com
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  • Gary Bartholomew 3 years ago
    I bought a Zacuto Kit with my HVX200... I love it. Can't wait to get my hands on one of these new DSLR's that shoot HD and some lenses.
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  • Sebastian Fritzon 3 years ago
    I've never heard of Zacuto before this and already I'm in love. I agree with you guys on the audio on the D90 which is real pityful, too bad I already have a wide array of lenses for the D80 so upgrading from scratch again seem a bit expensive at this moment.
    I guess the best thing to do is to bring in an additional sound guy w/ a boom to record seperate audio and sync 'em up in post?

    Definitely got me convinced of your products, keep up the good work!
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  • Steve Weiss sponsor 3 years ago
    That's the way to think about it. I never liked audio recorded on cameras anyways.
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  • Anthony Burokas 3 years ago
    Well done video. Shows off the reason behind big-shoulder mount cameras with lots of space to mount stuff and how you can achieve that with cameras as small as a DSLR.
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  • Jay Johnson 3 years ago
    Guys, your Zacuto gear is truly AMAZING!!! I have no doubt whatsoever that this equipment will outlast... well, everything! If you look closely at the very end of the film, “A.I.” ...I’m pretty sure Haley Joel Osment is holding in his hand an old, discolored and ancient Zacuto Baseplate. Seriously. Your stuff is THAT good. And that Zamerican Arm? I’m on a very tight budget, so you can understand my questioning its price of over $200. But after getting it, I knew immediately it was worth twice that price! That thing ROCKS!!!

    And thanks so much for this video! I can’t tell you how big of a smile it put on my face. I’ve sent it on to all the friends who laugh at me for being the last HD-holdout, and for still shooting SD on my XL2. But hey, I was the only one with enough money left over to build a legitimate kit around a Zacuto Universal Baseplate with a Zamerican Quick-Release Arm.

    All that money they spent ($6k - $12k!!!) on their HD cameras... Who’s laughing at who now?! Oh man, I can’t wait to get my hands on this Canon 5D!!! And at about the same price point as the Canon XL2! ...about $2,500 for the camera body from what I’ve seen. Thanks again guys!
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  • James H 3 years ago
    I've trusted nothing but Zacuto gear for awhile now. Their products are solid, their service is great (Steve and Mandy are rock stars), and the resell value makes you happy when you no longer need a particular piece and want to upgrade to something new.

    Can't recommend them enough... spread the word.
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  • Carlos 3 years ago
    I have a question for you, how solve the problem of the automatic shutter and iris? because, the Canon have this limitation, that in mode video, the ISO, shutter and Iris it´s automatic. Do you used old lenses that have the iris in the lences?

    thanks

    Carlos
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  • Steve Weiss sponsor 3 years ago
    Of course, we only use the Zeiss ZF completely manual lenses. For filmmaking you wouldn't really want any auto features. They make great prime lenses and are relatively inexpensive. They are color mached as well.
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  • tumama 3 years ago
    Mr Zacuto... ¿could you tell me the details more specifics about how did you get that video quality and look?
    Format, settings, lighting, post, compresion, and so... did you turn up some setting (vibrancy, contrast or something)
    I´m amazed!!!!!! and when I grow up I really want to be like you (at least get that look to my hvx200 videos) loos like red one quality to me!!!!!
  • Joseph Stunzi pro 3 years ago
    Send me your email address and I will get you in touch with their upload settings.
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  • Jaime Macías 3 years ago
    IS there any sample footage from the cameras using your system? (im especially interested in the 5D mII).
  • Steve Weiss sponsor 3 years ago
    Yes. Check back tomorrow for our new camera shootout videos.
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  • Guy Montag 3 years ago
    Looks spiffy! If you're using the 5D, what's a good inexpensive way to sync audio recorded on an separate device?
  • Dan Cortes Reel 3 years ago
    The Canon 5D has audio (1/8th) for a boom mic and on board recording the NikonD90 does not. So it seems you need to find a good field recorder/mic/clapper and sync up in post if you are to shoot with the NikonD.
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  • Guy Montag 3 years ago
    Yeah, though I have no idea what sort of internal recording hardware the 5D has, and how well (if at all) it would stack up to a pro audio recording device.
  • wesley clouden 3 years ago
    I did this Rig on my own with Combo some time back
    with my machined version's, did prin matte box etc was lil off butt perfected it, I use Adobe On-Locatocation Via usb
    for the All the camera Via Q UMPC. or On my hackintosh Tablet's all the audio is easy to set or clean anyway so

    shoot with the Cannon it's dope you can add pro audio xlr if needed to them anyway
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  • Joseph Stunzi pro 3 years ago
    Hey guy. Check out some of the pictures Zacuto has here. zacuto.zenfolio.com/p408746338

    Beachtek is making a device custom for the 5D2 that will enable pro XLR inputs through the device and enable you to input them through the 1/8th inch audio input.
  • Kyle Wiebalk 3 years ago
    When will the beachtek unit be out? I heard Jan. '09 and here it is 1/29 and I still haven't been able to find it. Any tips?
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  • ricky montalvo plus 3 years ago
    Interesting product. As a multimedia journalist I would love the DSLR unit for my D90. But as a serious filmmaker, I would like to see more product demos, in-field testing. Not the cliche shots of some hot blonde who appears to know what she's doing. C'mon guys, I'll take you seriously if you take us seriously.
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  • Bravo Group plus 3 years ago
    impressive. honest, hopeful presentation.
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  • Inofaith 3 years ago
    Good that they're adapting to the DSLR market and thake the web Cinematography seriously.

    I wouldn't buy that gear because I would only shoot on amateur level and do part photography and part web-Cine. A sturdy video tripod, good lenses and a portable audio recorder would also work great for a D90.

    They guy didn't mention putting in sound later but he just said the mic of D90 isn't good so the cam isn't good more or less. Nobody [in film industry] uses camera sound anyway, but external recorders. its only for reference. I can imagine people who take the movie making serious having a budget for a seperate sound recorder.
    The rest use the camera sound and/or add music.
  • Scott Gribble 3 years ago
    nobody uses camera sound?? are you crazy? I use it every day. works fine for me. not everyone has the budget for a separate audio package. Maybe the sound on the d 90 sucks, and yeah it would be useless except for music vids or something. :-)
  • Inofaith 3 years ago
    I editted my comment more elaborately so you can see what I mean.
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  • Greg Wallis 3 years ago
    Truly fab, now I just have to work out which bank to rob (not that they've any money left, mind you).
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  • Jay Shropshire plus 3 years ago
    Yeah too bad the d90 sucks for hd video. It has the worst rolling shutter issue I have ever seen the few times I have used it. hvx200 or ex3 with 35 adapter still much better for film making just wish they were as light.
  • Steve Weiss sponsor 3 years ago
    Agreed. They are also 5-6 times the cost. I guess you get what you pay for. One day soon they will be better.
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  • Sasha Fornari plus 2 years ago
    this is awesome, these videos are very helpful too. thanks so much for sharing! lol at 2:46 "you're not going to have good shots if your package isn't balanced." i just have a dirty mind though so ignore me.
  • Steve Weiss sponsor 2 years ago
    I think that is true. "You won't get good shots if your package isn't balanced" in both meanings ;o)
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  • Ken Steadman plus 2 years ago
    beautiful stuff guys!
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  • Darin Basile plus 2 years ago
    Excellent products. But with regards to the "Z-Spacer" wouldn't adding the vertical grip to the DSLR's give them the extra height needed, plus another battery?
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  • Xander Davis plus 2 years ago
    I am in love.
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  • Goldenboi24k 2 years ago
    "model holding this package" lol
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  • Steve Hovland 2 years ago
    I like the balance notion. I haven't looked at your full line but I do wonder about a rig that sits on both shoulders.
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  • Steve Weiss plus 2 years ago
    kadir,
    I must say your words are not very kind. To hate Zacuto is a bit over dramatic. Normally, I would never speak about a competitors design or product. But your insightful tone has made me change my mind this one time.

    This video is over a year old when we were just adapting older designs to work with the then new DSLR's. We were one of the first to even recognize this new medium. Our current designs are not that way. They are specific to DSLR's. And at NAB this year more shoulder mount and gorilla style Zacuto rigs (as well as several optical viewfinders) will be released. Our third generation.

    You seemed obsessed with a top handle but don't have any provision for using an optical viewfinder. To think you can use a monitor to shoot with a DSLR is not at all practical or viable, any shooter who has used a DSLR will tell you this. Also, you have a very traditional handgrip design, too high and too close for me. You have much more control when the handgrips are lower who wants to hold their hands up in the air all day. You can hold the rig that much longer when your arms are lower. No compensation in your rig for camera balance with counterweight (and your rig with a monitor is very front heavy) or adjustability for various camera heights like the 1DMK4. Yet you talk about the Beatchtek device like it's a viable option. Double system sound is the only option for high quality DSLR sound.

    Yes, your system has a nice industrial design. But after 27 years in film production that only goes so far.
    Steve

    P.S. Try doing a handheld low mode shot with a handle, it's always a rocking mess. You need an underslung steadicam or dolly to do that seriously!
  • I have to agree with Steve.
    I know what you mean Kadir it is nice to have a rig that does everything you require on a shoot but its not always possible.
    I have been shooting with the 5D for a while now and before I had the Zacuto Gorilla rig and Z-finder I used my own rig with a monitor attached...it was to heavy and the shots were to shaking and pulling focus was a nightmare with the monitor attached.
    Steve and the Zacuto team know exactly what they are doing and talking about.
    Since having my own Zacuto Rig and Z-finder I have noticed a big difference in the quality of my shots, they are no longer shaking and pulling focus using the Z-finder instead of a monitor is so much easier and more precise.
    The help and support from Steve and the Zacuto team during and after purchase clearly shows their dedication and knowledge....
    My clients have even noticed a difference when I use the rig.
    Kadir, I hope you find the rig that works best for you, but to say that companies like Zacuto do not know what they are doing is a mistake. Especially as the product is very successful with many DSLR shooters.
    Gareth
  • Mick Jones pro 2 years ago
    I'm sure I'm not alone here when I say that Zacuto don't design "junk", but I already feel like I'm responding to an obvious taunt, but hey. I'm in agreement with the guys here who have shelled out for the Zacuto gear and found out just how good it is. All the Zacuto gear I have will work work with whatever camera kit I use, so I will have it forever and the beauty is... you only have to buy it once, because it's rock solid quality gear.

    As previous posts mentioned. The customer service at Zacuto is soooo good. They really look after you. Even if you have a great product, you need to back it up with the service. And, if your choice of words to describe your competitors products is any indication, I would suspect that the customer service may be lacking.
  • Kadir Köymen plus 2 years ago
    I owe a big apology for the sharp words I used.

    Normally when I design a product I literally make no research on "competitors".
    Thats how I did Handy35 and also on HandySLR.
    My design criteria is purely based on my independent filmmaking experience and the YEARS of ergonomy education.
    My approach proved itself right on Handy35 project which was a total success and I managed to break the rule of "the base of the design must be the rods". I believe thats what is made us to believe since it is simply easier to manufacture such designs and its only good for the manufacturers.

    Getting a well balance can only be one aspect of a successful camera rig. The centre of gravity do not necessarily have to be on your shoulder to get steady shots. And if that was not true Zacuto guys would not be manufacturing many of their unbalanced front heavy products anyway.
    Everybody knows that the first aspect of DSLR rig is to get a camera feel to the DSLR body. The best way to do this is to use the current measurements of the well known and very successful camcorders.
    Thats exactly what I did. You will see aspects and round measurements of Canon XL1s ( a total success in camera history) in HandySLR.
    You need to get a 3 point contact on your body and with HandySLR you always get it in every type of shot.
    For me working fast and getting results is everything.
    And for the guys who are very keen on balance I can easily say that I do not recommend you to carry a 3 feet long stick on your shoulder for the sake of balance. Thats for big slow expensive production where you have 2 guys for each piece of equipment.
    If you want to get results for independent film project. With minimum amount of crew and actually turn your DSLR in to a camera you need different things than that.

    I just thank you for the good comments you made about the design and the good looks of my rig but if you look closer I am sure there are such aspects on my design that every other company would love to adapt to themselves.

    This will be even more clear when I will be posting my demo and comparison videos of my rig on vimeo.

    Need another 3 weeks for that.

    I deeply apologize for my previous unfair words again.
    I totally understand you being protective about "competitors" since I tried to victimize them.
    I hope this apology gets accepted.

    respect and piece.
  • Steve Weiss plus 2 years ago
    Of course I accept your apology kadir, we've all said stuff in hast before.

    Once again i want to clarify on your comments.

    We have two styles of kits Gorilla kits and shoulder mount kits.

    Gorilla kits
    Gorilla kits do not have counter balance because they are so light to be used without a follow focus or matte box. The center of gravity is much closer to the body since you are using an optical viewfinder. When you do not use an optical viewfinder you have to push the rig further away from your body so you can focus on the LCD screen or monitor. This makes the camera package much more front heavy and a huge problem. We did struggle a bit with the gorilla concept at first, but after trying our tactical kit with 4 points of contact so close to the body using the optical viewfinder as a point of contact it felt amazing. Actually it is so comfortable that I like it better than shooting with the HVX200 or EX3 type of camera. Once again those kit are held in front of the body with few points of contact. The shoulder pad on the EX3 does nothing because of no counter balance. Check other forums on that. Gorilla kits are only sold for guys who are looking to run n gun gorilla shoot with shots no longer then 20 minutes without resting. This works best for this type of shooting

    Shoulder mount kits.
    These type of kits are meant for shooting all day like working on a reality series. Then counter balance is an absolute necessity. Resting something on your shoulder with no counterbalance is still the same amount of front heavy just with a point of contact. Furthermore, if the counter balance is close to the body you need much more weight. The further way the counter balance is from the body better it works (like a teeter totter) as the lovely model in this video demonstrates, she can actually take her hands off of the camera and it is perfectly balanced on her shoulder. Kits like these tend to be heavier but that is what you want in this type of design. The extra heft is what gives them the inertia to get smooth pans and tilts.

    Thanks,
    Steve
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  • dopfs 1 year ago
    hey steve!

    i don't know what you have against top handles and monitors.

    if a dop wants a top handle he will get one. and if he doesn't get it from zacuto than from easom or redrock micro. as simple as that.

    if you think that this will produce shaky shots you maybe haven't seen somebody able to perform a good handheld camera. btw handheld camera breathes all the time (or with your words: a rocking mess). maybe it's my choice as a dop to make this decision for my work, not yours.
    moreover can i understand that some people prefer viewinders on dslrs, but again: this wouldn't be my choice. also a monitor on a handheld dslr rig wouldn't make it too heavy. on the contrary: on a dslr rig i would try to put some kilos more weight to it, just to make it less shaky when working handheld. compared to a pro hd camera or a s16 or 35 camera the dslrs with rigs are a joke. also a monitor gives me a possibility to put my cam everywhere, not just on my shoulder. please, try to make a handheld short movie only from your shoulder. this will truly be a limitation to the movies perspectives!

    and concerning the handles below the rod support:
    i have never seen somebody professional supporting his camera from this position you are advising. that is maybe because nearly nobody tried this (but maybe it is a good idea). for my part i like the idea to have my hands up in the air better because they are not so distant from the camera. this gives me the feeling of a perfect contol over it. and i never had problems with my staying power.

    but i have to admit: i like the quality and the interchangeability of zacuto.

    regards
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  • Steven Moore 1 year ago
    I like Zacuto products, despite the price which they are charging, which lets face it they can do because no one else can be bothered yet to make what they do. Or rather I should say no one else can be bothered to finish the job the camera manufacturers can't be bothered with.

    As for the comments, BAH HUMBUG! As if it wasn't bad enough every kid who has watched a couple of dvd commentaries and searched the internet on 'how to' articles now calls themselves a filmmaker, now the millions of hobbyist photographers are doing likewise.

    Video cameras and video in general has always been about functionality, why are pros still buying SD? Because program/filmmaking is not about sharpness, or at least certainly not about resolution. Even after all this time and all the 'promos' shot by photographers showing what the mk II can do, I haven't seen anything that looks like it was made by a filmmaker. Thats coz it takes 10 to 20 years to understand and be able to use NARRATIVE, a storytelling bardic skill of the highest complexity. Keep your pretty images to yourselves, they are empty and boring, film is not moving photographs, and the mk II is not a video camera. In a real filmmakers hands its just another piece of equipment (with limited use) not a revolution opening up the 'genius' of the masses. There are no more proper 'AUTEURS" than there were 20 0r 50 years ago, in fact there are fewer (because they cannot fight against the flood surperficial product) making fewer good and important pieces of ART, essential to societies health. I bought a mkII, and expensive Zacuto equip because I had to, not because I wanted to, and if I have to explain why, you haven't understood what I am saying here, let alone the importance of film above and beyond 'a waste of a bit of free time'. Please don't respond unless you agree, I'm already fed up, thankyou.
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  • Steven Moore 1 year ago
    If you are insistent on trying to prove me wrong then let me just add that this video and it's title on search engines is not 'Zacuto fine products etc.' NO it's 'DSLR Cinematography'. I think only older pros (and smart people), could understand what I mean when I say that these technical terms have been sold off cheap by the marketing people and Internet content producers. It's awfully exiting isn't it... CINEMATOGRAPHY, sounds grand huh, not as common as PHOTOGRAPHY, oh wait mkII _ yes it is, in the last 6 months anyway. Does anyone hear me, am I truly alone??? I feel like like Colonel George Taylor at the end of POTA...
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  • Steven Moore 1 year ago
    CINEMATOGRAPHY = Images taken to be watched in a CINEMA, (a story that is valuable, or increases understanding as well as entertaining). Lets not get into the debate about the quality of modern cinema, it's not proof that I am wrong, it's part of the same problem - The idea that you just need to get your hands on resources to have something to say. I could go on but this is probably not the place...
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  • Steve Weiss plus 1 year ago
    Wow. Mr. Moore.
    Some of what you say is true. I'm not telling everyone to go out and buy Zacuto. Just the opposite. If you have ever heard me speak or watch my web shows FilmFellas, Critics or The Great Camera Shootout, I always tell people to put their money into food, rehearsals, extra shooting days, script doctoring, etc. Our products are nice if you can afford them but a real film is about story, acting, screen direction, movement, editing, music and more. A true storyteller could make an amazing movie with his iPhone. And if you think Hollywood cares what you shot it on, you are wrong. Good is good and that's all they are interested in buying. And they are not buying much these days but that's another story.

    I never ever try to make the connection that buying great equipment will make your films better. It gives you nice creature comforts that make getting to your end result easier (and maybe sharper when it comes to pulling focus) but again that's only if you can afford them.
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  • XSVpro 1 year ago
    it seems event the negative comments are still directed at what to own and what not to own, its not a marriage, there are now so many more options to getting comfortable with your camera and thats all thanks to zacuto, red rock, pro aim, handydslr etc etc, Mr Moore and Mr Weiss are right that its all about content, you see it time and time again on the net, terrible quality, camera shake, poor colour, under/over exposed yet with all these faults the piece will get 500k hits, why? because there was something interesting (to all or a certain demographic) to watch, be it fiction/non fiction, sports or the latest UFO sighting (lol).

    Content is king but like what Mr weiss is saying here with zacuto and there camera rigs, maybe (just maybe) you can turn that great piece of content into beautifully watchable film.

    And just for the record, i am too sick of hearing people call them selves a DP, cinematographer, videographer, director etc, if your not qualified then that branding of yourself should only come from others that watch your work, me? im a lucky s**t with a camera making my attempts at filming as best as i can.
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