
Introducing DSLR Cinematography
3 years ago
Steve, Jens and Scott of Zacuto USA walk you through how to use your DSLR camera for digital cinematography. See what equipment you need to get great tripod and handheld shots using the new Canon 5D Mark II and Nikon D90 for HD video cinematography. Learn how to handle audio using a DSLR with boom and wireless mics; see these new 35mm depth of field cameras that are going to revolutionize the independent filmmaking industry everyone is talking about.
To learn more: zacutoDSLR.com
for more Zacuto videos: zacutovideo.com
To learn more: zacutoDSLR.com
for more Zacuto videos: zacutovideo.com
M4V
00:14:44
21 Related collections
- Categories / HD
- Categories / Canon
- Nappiee TV
- Film School - Filmmaking
- Film School - Filmmaking
- Video Journalism
| Date | Plays | Likes | Comments |
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| Totals | 75K | 458 | 53 |
| Feb 13th | 21 | 0 | 0 |
| Feb 12th | 25 | 0 | 0 |
| Feb 11th | 33 | 0 | 0 |
| Feb 10th | 21 | 1 | 0 |
| Feb 9th | 30 | 0 | 0 |
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Prev week
Viva the 5D Mk ll
Can't wait to get my hands on some of this.
I guess the best thing to do is to bring in an additional sound guy w/ a boom to record seperate audio and sync 'em up in post?
Definitely got me convinced of your products, keep up the good work!
And thanks so much for this video! I can’t tell you how big of a smile it put on my face. I’ve sent it on to all the friends who laugh at me for being the last HD-holdout, and for still shooting SD on my XL2. But hey, I was the only one with enough money left over to build a legitimate kit around a Zacuto Universal Baseplate with a Zamerican Quick-Release Arm.
All that money they spent ($6k - $12k!!!) on their HD cameras... Who’s laughing at who now?! Oh man, I can’t wait to get my hands on this Canon 5D!!! And at about the same price point as the Canon XL2! ...about $2,500 for the camera body from what I’ve seen. Thanks again guys!
Can't recommend them enough... spread the word.
thanks
Carlos
Format, settings, lighting, post, compresion, and so... did you turn up some setting (vibrancy, contrast or something)
I´m amazed!!!!!! and when I grow up I really want to be like you (at least get that look to my hvx200 videos) loos like red one quality to me!!!!!
with my machined version's, did prin matte box etc was lil off butt perfected it, I use Adobe On-Locatocation Via usb
for the All the camera Via Q UMPC. or On my hackintosh Tablet's all the audio is easy to set or clean anyway so
shoot with the Cannon it's dope you can add pro audio xlr if needed to them anyway
Beachtek is making a device custom for the 5D2 that will enable pro XLR inputs through the device and enable you to input them through the 1/8th inch audio input.
I wouldn't buy that gear because I would only shoot on amateur level and do part photography and part web-Cine. A sturdy video tripod, good lenses and a portable audio recorder would also work great for a D90.
They guy didn't mention putting in sound later but he just said the mic of D90 isn't good so the cam isn't good more or less. Nobody [in film industry] uses camera sound anyway, but external recorders. its only for reference. I can imagine people who take the movie making serious having a budget for a seperate sound recorder.
The rest use the camera sound and/or add music.
I must say your words are not very kind. To hate Zacuto is a bit over dramatic. Normally, I would never speak about a competitors design or product. But your insightful tone has made me change my mind this one time.
This video is over a year old when we were just adapting older designs to work with the then new DSLR's. We were one of the first to even recognize this new medium. Our current designs are not that way. They are specific to DSLR's. And at NAB this year more shoulder mount and gorilla style Zacuto rigs (as well as several optical viewfinders) will be released. Our third generation.
You seemed obsessed with a top handle but don't have any provision for using an optical viewfinder. To think you can use a monitor to shoot with a DSLR is not at all practical or viable, any shooter who has used a DSLR will tell you this. Also, you have a very traditional handgrip design, too high and too close for me. You have much more control when the handgrips are lower who wants to hold their hands up in the air all day. You can hold the rig that much longer when your arms are lower. No compensation in your rig for camera balance with counterweight (and your rig with a monitor is very front heavy) or adjustability for various camera heights like the 1DMK4. Yet you talk about the Beatchtek device like it's a viable option. Double system sound is the only option for high quality DSLR sound.
Yes, your system has a nice industrial design. But after 27 years in film production that only goes so far.
Steve
P.S. Try doing a handheld low mode shot with a handle, it's always a rocking mess. You need an underslung steadicam or dolly to do that seriously!
I know what you mean Kadir it is nice to have a rig that does everything you require on a shoot but its not always possible.
I have been shooting with the 5D for a while now and before I had the Zacuto Gorilla rig and Z-finder I used my own rig with a monitor attached...it was to heavy and the shots were to shaking and pulling focus was a nightmare with the monitor attached.
Steve and the Zacuto team know exactly what they are doing and talking about.
Since having my own Zacuto Rig and Z-finder I have noticed a big difference in the quality of my shots, they are no longer shaking and pulling focus using the Z-finder instead of a monitor is so much easier and more precise.
The help and support from Steve and the Zacuto team during and after purchase clearly shows their dedication and knowledge....
My clients have even noticed a difference when I use the rig.
Kadir, I hope you find the rig that works best for you, but to say that companies like Zacuto do not know what they are doing is a mistake. Especially as the product is very successful with many DSLR shooters.
Gareth
As previous posts mentioned. The customer service at Zacuto is soooo good. They really look after you. Even if you have a great product, you need to back it up with the service. And, if your choice of words to describe your competitors products is any indication, I would suspect that the customer service may be lacking.
Normally when I design a product I literally make no research on "competitors".
Thats how I did Handy35 and also on HandySLR.
My design criteria is purely based on my independent filmmaking experience and the YEARS of ergonomy education.
My approach proved itself right on Handy35 project which was a total success and I managed to break the rule of "the base of the design must be the rods". I believe thats what is made us to believe since it is simply easier to manufacture such designs and its only good for the manufacturers.
Getting a well balance can only be one aspect of a successful camera rig. The centre of gravity do not necessarily have to be on your shoulder to get steady shots. And if that was not true Zacuto guys would not be manufacturing many of their unbalanced front heavy products anyway.
Everybody knows that the first aspect of DSLR rig is to get a camera feel to the DSLR body. The best way to do this is to use the current measurements of the well known and very successful camcorders.
Thats exactly what I did. You will see aspects and round measurements of Canon XL1s ( a total success in camera history) in HandySLR.
You need to get a 3 point contact on your body and with HandySLR you always get it in every type of shot.
For me working fast and getting results is everything.
And for the guys who are very keen on balance I can easily say that I do not recommend you to carry a 3 feet long stick on your shoulder for the sake of balance. Thats for big slow expensive production where you have 2 guys for each piece of equipment.
If you want to get results for independent film project. With minimum amount of crew and actually turn your DSLR in to a camera you need different things than that.
I just thank you for the good comments you made about the design and the good looks of my rig but if you look closer I am sure there are such aspects on my design that every other company would love to adapt to themselves.
This will be even more clear when I will be posting my demo and comparison videos of my rig on vimeo.
Need another 3 weeks for that.
I deeply apologize for my previous unfair words again.
I totally understand you being protective about "competitors" since I tried to victimize them.
I hope this apology gets accepted.
respect and piece.
Once again i want to clarify on your comments.
We have two styles of kits Gorilla kits and shoulder mount kits.
Gorilla kits
Gorilla kits do not have counter balance because they are so light to be used without a follow focus or matte box. The center of gravity is much closer to the body since you are using an optical viewfinder. When you do not use an optical viewfinder you have to push the rig further away from your body so you can focus on the LCD screen or monitor. This makes the camera package much more front heavy and a huge problem. We did struggle a bit with the gorilla concept at first, but after trying our tactical kit with 4 points of contact so close to the body using the optical viewfinder as a point of contact it felt amazing. Actually it is so comfortable that I like it better than shooting with the HVX200 or EX3 type of camera. Once again those kit are held in front of the body with few points of contact. The shoulder pad on the EX3 does nothing because of no counter balance. Check other forums on that. Gorilla kits are only sold for guys who are looking to run n gun gorilla shoot with shots no longer then 20 minutes without resting. This works best for this type of shooting
Shoulder mount kits.
These type of kits are meant for shooting all day like working on a reality series. Then counter balance is an absolute necessity. Resting something on your shoulder with no counterbalance is still the same amount of front heavy just with a point of contact. Furthermore, if the counter balance is close to the body you need much more weight. The further way the counter balance is from the body better it works (like a teeter totter) as the lovely model in this video demonstrates, she can actually take her hands off of the camera and it is perfectly balanced on her shoulder. Kits like these tend to be heavier but that is what you want in this type of design. The extra heft is what gives them the inertia to get smooth pans and tilts.
Thanks,
Steve
i don't know what you have against top handles and monitors.
if a dop wants a top handle he will get one. and if he doesn't get it from zacuto than from easom or redrock micro. as simple as that.
if you think that this will produce shaky shots you maybe haven't seen somebody able to perform a good handheld camera. btw handheld camera breathes all the time (or with your words: a rocking mess). maybe it's my choice as a dop to make this decision for my work, not yours.
moreover can i understand that some people prefer viewinders on dslrs, but again: this wouldn't be my choice. also a monitor on a handheld dslr rig wouldn't make it too heavy. on the contrary: on a dslr rig i would try to put some kilos more weight to it, just to make it less shaky when working handheld. compared to a pro hd camera or a s16 or 35 camera the dslrs with rigs are a joke. also a monitor gives me a possibility to put my cam everywhere, not just on my shoulder. please, try to make a handheld short movie only from your shoulder. this will truly be a limitation to the movies perspectives!
and concerning the handles below the rod support:
i have never seen somebody professional supporting his camera from this position you are advising. that is maybe because nearly nobody tried this (but maybe it is a good idea). for my part i like the idea to have my hands up in the air better because they are not so distant from the camera. this gives me the feeling of a perfect contol over it. and i never had problems with my staying power.
but i have to admit: i like the quality and the interchangeability of zacuto.
regards
As for the comments, BAH HUMBUG! As if it wasn't bad enough every kid who has watched a couple of dvd commentaries and searched the internet on 'how to' articles now calls themselves a filmmaker, now the millions of hobbyist photographers are doing likewise.
Video cameras and video in general has always been about functionality, why are pros still buying SD? Because program/filmmaking is not about sharpness, or at least certainly not about resolution. Even after all this time and all the 'promos' shot by photographers showing what the mk II can do, I haven't seen anything that looks like it was made by a filmmaker. Thats coz it takes 10 to 20 years to understand and be able to use NARRATIVE, a storytelling bardic skill of the highest complexity. Keep your pretty images to yourselves, they are empty and boring, film is not moving photographs, and the mk II is not a video camera. In a real filmmakers hands its just another piece of equipment (with limited use) not a revolution opening up the 'genius' of the masses. There are no more proper 'AUTEURS" than there were 20 0r 50 years ago, in fact there are fewer (because they cannot fight against the flood surperficial product) making fewer good and important pieces of ART, essential to societies health. I bought a mkII, and expensive Zacuto equip because I had to, not because I wanted to, and if I have to explain why, you haven't understood what I am saying here, let alone the importance of film above and beyond 'a waste of a bit of free time'. Please don't respond unless you agree, I'm already fed up, thankyou.
Some of what you say is true. I'm not telling everyone to go out and buy Zacuto. Just the opposite. If you have ever heard me speak or watch my web shows FilmFellas, Critics or The Great Camera Shootout, I always tell people to put their money into food, rehearsals, extra shooting days, script doctoring, etc. Our products are nice if you can afford them but a real film is about story, acting, screen direction, movement, editing, music and more. A true storyteller could make an amazing movie with his iPhone. And if you think Hollywood cares what you shot it on, you are wrong. Good is good and that's all they are interested in buying. And they are not buying much these days but that's another story.
I never ever try to make the connection that buying great equipment will make your films better. It gives you nice creature comforts that make getting to your end result easier (and maybe sharper when it comes to pulling focus) but again that's only if you can afford them.
Content is king but like what Mr weiss is saying here with zacuto and there camera rigs, maybe (just maybe) you can turn that great piece of content into beautifully watchable film.
And just for the record, i am too sick of hearing people call them selves a DP, cinematographer, videographer, director etc, if your not qualified then that branding of yourself should only come from others that watch your work, me? im a lucky s**t with a camera making my attempts at filming as best as i can.