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33. Africa Speaks (for Miriam Makeba)
1 year ago
In Africa Speaks, the continent is envisioned as a woman who by turns asserts her resilience, mimics First World indifference, depicts stoically her rape, mocks the values of that same First World, and in the end declares with noble dignity her will to survive.

AFRICA SPEAKS

Hey, I’m the wind, I can move the sands.
So what the hell, no problem for me
To bear your lies and promises, too,
Always broken, always the same old lies.

Give me a break! It’s not the Third World War,
Just another local spat,
(Yet people die for it every blessed day
From the high plateau to the shining sea.)

Hey, what kind of show is this to give us
In the middle of Sunday dinner?
Let’s switch to another channel, Mother,
Pass me the gravy and the TV Guide.

(Now I lay me down to sleep)

The sun the source of life? Ha! Tell me another!
As I crumble like the cracked earth under me.
And yet the sky above me is still pure.
You’ve failed to blot it out with your putrid veil.

Just take your filthy hands from me.
Here I’ve lived, here I’ll die, here I’ll stay.
I know damn well what you want from me.
Help yourself—and, Amen.

Quick, a furtive glance, no one’s looking.
Once again, no witnesses, no one to blab.
Stuffed to the gills, bloated with your gluttony,
Run to your hole, you’ll be safe.

(Now I lay me down to sleep)

Out of the shower, into the subway,
The daily seesaw of the Stock Exchange—
“Upstairs everyone for the daily dressing down.”
Business as usual—ah, life in the jungle!

(Now I lay me down to sleep)

I’ve borne the world since the dawn of time,
Sucked at, with lips and teeth.
Here you were, also, but you don’t remember.
Gone adrift—but your continent, too.

Blood red like this, my body,
I see my land—my God! How beautiful!
Don’t say another word, just one left,
Always and forever after, one word—Africa.

Credits

7 Likes

  • James Tate 1 year ago
    In all honesty I can say that, on first viewing this, I was actually speechless - really, I didn't know what to say. I've let a few hours pass and calmed down some.
    Ray, you've raised the bar a heck of a way. This is simply beautiful.
    I remember Miriam Makeba from way back when she first came on the scene and, I'm ashamed to say, I didn't know she had died.
    The music is superb, your delivery of the song is first class, the images are wonderful. I think the soundtrack deserves to be released on an album. I wonder if there's any copyright involved because I'd really like to rip the soundtrack from the video and put it on a CD.
    Knowing your level of (false) modesty I'm not sure if you yourself realise how good this is.
    I assume (hope) you'll post it on PSM.
    I'm quite blown away with this and will of course download for further viewing.
    Well done Ray...a classic.
    PS I don't do BS
    PPS Does anyone know of a way of bringing this to the attention of Barack Obama?
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  • Ray Anderson 1 year ago
    A simple thanks doesn't do justice to my gratitude for your support, James. I make no bones about the fact that I'm pleased with this "Englishfying" of Carlo's song--I think it gives a good idea of the quality of the original Italian piece, and I'm pleased (as well as amazed) that I was able to write the English without constant reference to the music--and dumbfounded by what I think was a successful rendering to the music as I listened with a headset. Probably most of that success was due to the sound engineer and the great way he managed the cues for where I was to come in. As to your burning a CD for your own use, I see no problem--Carlo, though, is shopping around his version (and for all I know mine!) in Italy, and so I hope my posting this doesn't mess up that venture. About your last (rhetorical) question: it's funny that I asked myself a similar one after I made this--would Barack Obama think well of it?
  • James Tate 1 year ago
    Well, for us in the UK...we think - probably.
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  • Ren Yen 1 year ago
    I don't see it in the end credits. It's not obvious to me. Just to make sure, Ray are you the singer in this song?
  • Ray Anderson 1 year ago
    Well, I wouldn't exactly call it singing, Ren Yen, but, yes, I'm the guilty party.
  • Ren Yen 1 year ago
    Holy shit! I thought it was one of Harry Belafonte's classic or something. Because you sort of sound like Harry Belafonte. Yeah the audio is perfect, Audacity? This song is good enough sell on iTunes. I am listening over and over. Very good. Thanks to James Tate for the heads up on this.
  • Ray Anderson 1 year ago
    Ren Yen, you're a jewel! You sure know how to make a guy feel good! No, not Audacity (except for my using it to make the MP3 out of the WAV file and to fade out the music after my voice--and to add, recently, the wind playing over the introduction), but a professional sound studio in Rome, with a real sound engineer and a wannabe performer--you have a good ear. Carlo, the composer, will be happy hear what you have to say. Thanks again!
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  • PapaJohn plus 1 year ago
    WOW Ray!!! I turn my back on this place to do some other things for a few days, and something truly wonderful is there when I get back.

    As I always read the comments from others before viewing a new piece, James and Ren Yen had me so primed to hear your voice that I was fiddling with my audio settings before the first note hit almost a minute into it. I feared I was missing it.

    A perfect subject to go with the music, narrative, and your voice...

    That'll teach me. I'll go do something else and keep peeking over my shoulder to see what sprouts up next over here.

    You posted it on my birthday.... thanks for the best gift of all.
  • Ray Anderson 1 year ago
    That remark about your birthday truly touched me--just saying thanks doesn't even come close to expressing how it made me feel, John.

    Here's my plan: I'm putting off my own birthday for eight years until you catch up with me--then we'll celebrate a joint one in some mutually agreed upon place in Italy. In the meantime, enjoy this one with your family as I know you will.
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  • Ray Anderson 1 year ago
    Thanks, RenYen, for restoring your unbowdlerized comment--now it sounds authentic!
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  • John Lauwers 1 year ago
    What can I add to all this? I was maybe the first to see it but had no time to write a decent comment and now everything has been said.
    Ray, you know I always try to make an almost perfect thing a tiny bit better. Here is what I would do: replace a part of the 40 seconds of silence at the start with a well chosen piece out of the soundtrack of Cry Freedom but played at very low level. I was tinking of this song (that later was to become the national anthem) at the funeral of Steve Biko. Even now, 20 years later, I still remember how cold shivers went running down my spine when I saw that scene and heard that song for the first time.
    Come on Ray, why don't you give it a try
  • Ray Anderson 1 year ago
    As much as I like to hear praise (I'm human, contrary to what my friends, family. and neighbors say), I value constructive criticism almost as much (note that careful "almost"!). I was and am bothered by that 40 seconds of silence, and I was surprised that my two trusted buddies who critique these things in progress for me--unsparingly-- said nothing. The simple fact of the matter is that it never occurred to me to try to find an introductory bit of music. Can I burden you a bit more by asking if you have a clue as to where I might find that soundtrack on the net--and remember that I'm far more larcenous than is good for me, so if you want to give me a lead sotto voce, you know how to find me.

    John, I take your criticism to be your recognition of the seriousness of my intent and thank you for it.
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  • James Tate 1 year ago
    I can't see a problem with the introductory silence. I had assumed it was deliberate. I don't like silent videos but I do recognise the value of 'appropriate silence'. In this case I think it works just fine. Any other music added would set up an ambiance which might be at odds with, and perhaps dilute, the effect of the song which is, after all, the whole point of the video.
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  • John Lauwers 1 year ago
    Let there be no misunderstanding James, I have no problem with those 40 seconds of silence either. This is a real piece of art and I said it too: It is perfect!

    Wether or not it it will be a little bit better with that particular song playing very softly in the background remains to be seen.

    But I have no fear that it is going to interfere with the message in the main part. It is so much about the same issues, that in fact it could be considered the "ouverture" that will bring the audience in the right mood for the big "opera" that is coming afterwards.
    (speaking about ouvertures: I have always found Leonore III to be the best piece that Beethoven has composed)
  • Ray Anderson 1 year ago
    I'm torn. As much as I agree with John that some kind of overture is needed--those 40 seconds of silence feel arbitrary to me (does the viewer get the not incorrect impression that I was stalling until the right moment to start the music?)--I also think James is right on target when he says that "any other music added would set up an ambiance which might be at odds with, and perhaps dilute, the effect of the song which is, after all, the whole point of the video." And the fact is, I repeat, the song is Carlo's, and he might very well share James' view, as I do on aesthetic grounds alone. So I've opted for something in between--which incidentally solves another problem that I have with the text of the song--and have posted it as a replacement video. I hope my friends will have the patience to play the revised version and take the time to share their responses in this public forum, which strikes me as one of the essential aspects of this PS stuff--a place for constructive criticism. My heartfelt thanks to John and James for putting so much into this entire PhotoStory enterprise.
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  • John Lauwers 1 year ago
    Brilliant solution Ray, almost like King Salomon. You once said to me "I hear a different drummer" and that is your privilege. The artist must decide what he does with positive critisism. So you took the hint but changed the intro your way. You heard a cold wind blowing over Africa and that was even a better setting for the song that follows... and I am glad that somehow I participated in the creation of a masterpiece.
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  • Elizabeth Pickett 1 year ago
    Oh. My. God. I hate it when people do those period things. Still. Oh. My. God. I am blown away. I have goose bumps. I'm tingling all over. I feel like I might pass away. I am amazed. It's just wonderful. Indeed, your voice IS Belafonte. It's so well read. The music is wonderful. Your own words are haunting. "The beginning of the end of something that must end." Yes. The cold wind blowing over Africa. Yes. Carlos' words. Wonderful.

    Oh people need to see this Ray, hear this. They do. I'm gonna send everyone I know to see and hear this. Well, with your permission.

    I'm feeling absolutely inarticulate, which is probably absolutely clear. I know, I knew, that you had this in you. Still, it is stunning. Would Barack Obama think well of it? You're joking? And Mama Afrika? Oh yes. Oh yes.

    Ok. I'll try to shut up now.
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  • James Tate 1 year ago
    Looks pretty darned articulate to me. Well said Elizabeth.
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  • John Lauwers 1 year ago
    One more suggestion Ray: a lot of people (including myself) don't know the English language enough to fully understand and appreciate what you are saying in this song, and it might be helpful to provide the lyrics somehow (for instance in the description box like Shehrazad does).
  • Ray Anderson 1 year ago
    You're right again, John. As the guy who persuaded Shehrazad to put up the written words to her piece because of my deplorable French, I should have been more sensitive to what I was inflicting on my friends. The printed words for Carlo's song are now where they belong.
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  • MariaNYC plus 1 year ago
    Oh I love it hearing it spoken. Very lovely! Great poem.
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  • John Lauwers 8 months ago
    RATIONALE FOR INCLUSION IN THE PHOTOSTORY SHOWROOM

    Ray was the second to jump on the PSM train, about two hours after PapaJohn, by uploading his first “mud-pie”, as he calls them himself, together with the folowing message:

    And Hi John and PapaJohn,
    As a good citizen, I'm--as I speak--uploading a vid to Vimeo (a bit like watching the grass grow!). I hope it catches on, and we can all show each other the little mudpies we've been making for our mutual approbation.
    Ray

    At first I found his work I little “bizare”, to say the least of it. But then suddenly watching
    The Dangling Man (for Hassan) (vimeo.com/948071)
    I realized what was so different in his approach and here is what I wrote in my comment:

    Hi Ray
    This is really turning the world upside down. Instead of a slideshow of great photos with some well choosen music as support in the background, here we have a poem recited in a very professional way which is at the center of the scene, and some pictures related to the subject acting only as decor pieces, or almost as wallpaper.
    As an avid (amateur) photographer I suppose I should be shocked finding the pictures ranking second to the words, but ... crazy enough ... I liked it !!!

    And indeed, looking at it from a different angle I started to become an real admirer his work, but I was at times also a bit “positively” critical about a certain small detail I had noticed, and we had some very interesting discussions about my remarks

    I believe that almost all his little masterpieces qualify for a nomination to the PhotoStory Showroom, but if I must choose one I select “Africa speaks” because it stands out a bit of the rest, it is such a work of epical dimensions and it is so pure and clear as a diamond: I wouldn’t add or delete or change one word, one note or one picture … it is perfect as it is !!!
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