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2357
A ficto-biographical essay-film taking two looped scenes from two Wong Kar-wai films (HAPPY TOGETHER and DAYS OF BEING WILD) as its point of departure, arrival (also: non-departure, non-arrival). On grief, migration, the romantic, hyper-specificity, sentimental time, queer space, Asian celebrity gossip, fantasies involving Maggie Cheung, covers and translations, the writing body, the filmmaking body, readability, speakability.