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36. Shake A Leg Adaptive Sailing Program - Documentary
1 year ago
Please visit my website for more: tomguilmette.com

UPDATE 1/9/09: I have uploaded the newly revised version.

Shake-A-Leg (Newport, Rhode Island) is a non-profit organization that offers assistance to people with all types of disabilities, both physical and mental.

I was asked to shoot, narrate and edit a documentary on Shake-A-Leg's unique and innovative adaptive sailing program. This program uses modified sailboats and 12 metre famed America's Cup racing yachts and brings able bodied and disabled sailors together to enjoy the therapeutic effects of open ocean sailing.

The program really does work and these experienced disabled sailors are able to keep up with able bodied race boats.

The program recently acquired the Easterner 12-metre and they plan to race it in 2009.

In addition to helping people with disabilities, the Adaptive Sailing Program is now reaching out to kids with cancer from area hospitals. The calming and soothing effects of being on the water is helping these kids heal.

The story is quite amazing.

I covered the sailing with a Sony HVR-Z1U with a wide angle lens. I mounted a Sony HDR-HC3 wrapped in plastic with a Bogen magic arm to the fibre glass of the boat for the on-board POV shots.

I used Sennheiser evolution series2 wireless mics with Sony lavs. Keep in mind, I was battling heavy winds.

I shot all of the sitdown interviews with the Sony PMW-EX1 camera with the Letus Extreme 35mm lens adapter mounted to the front of the camera's lens. I primarily used a 50mm f1.4 Nikon Nikkor lens for the interviews. All available light, no silks, no HMIs, sometimes in direct sunlight.

I edited with Final Cut Pro and narrated the video using a Zoom Handy Recorder H4. Great bit of gear. I did pop a few p's even with the wind screen.

Total shooting:
4 days in July
1 day in August

It was just me. I could have used an assistant, especially jumping from boat to boat grabbing the POV and the wireless mics.

TRT 12 minutes

I did not have too much time to color correct the footage, so most of it was how it was shot. I am using a consumer, pro-sumer and professional camera. You can see the difference. This was the first time I shot a doc and used all three together.

Credits

13 Likes

  • Craig Stevens 1 year ago
    Great B&W documentary. I love it -- and I love the video-to-still image effect at 1:03.

    Great to see you back in my home state :)
  • Tom Guilmette plus 1 year ago
    the rest of the doc is in color, just the first minute with the "history" of the program is in b&w. i took more digital stills from a pro photographer and worked with them in the video later on.
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  • Cinematic Films 1 year ago
    Great one Tom! I've been following your vids for a while and this is one of the most moving ones I've seen. I can't wait until I get my Sony Z5U...this week or next...I'll upgrade to the EX when I can...but the use of consumer-professional equipment didn't even matter for this piece because the content was so moving, it makes u forget about what "camera" it was shot with. Great job man...
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  • Aaron Esterling 1 year ago
    You can really tell a story! I like when everything's so smooth that I only see the message & content, not the editing.
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  • Chris Bloch 1 year ago
    Very nice work! The message is clear and really tugs at the heart strings. I wish I had a million dollars.....
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  • Matthew Robertson plus 1 year ago
    Great Job sir! You've done it once again! The interview shots really shined, the DOF was great on those
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  • John Graeme Morris 11 months ago
    Complimenti...... wonderful film, wonderful message.
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  • Stephen Lewis plus 10 months ago
    Great work! How are you recording VO?
  • amankerstudio 6 months ago
    sound is very clear, how did you do that?
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  • Will Mahoney 6 months ago
    Dude, that little girl at 4:42 with "Confidence is cool" really brought a tear to my eye. What a nice piece. Well done, Tom!
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  • amankerstudio 6 months ago
    i like it,
    Very Inspiring..:)
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