
Transitioning 3: AJA Kona Board with Adobe Premiere Pro CS 5.5
7 months ago
As we transition from Final Cut Pro to another NLE, I'm running a series of tests to determine which NLE will best suit our needs.
We have been using the AJA Kona boards for years with FCP so it's really important to me that the board work with whatever new software we go with. Happily I can now run my AJA Kona boards smoothly with CS 5.5 thanks to the new 9.0.1 Plug-In release.
In this walkthrough I show you how to properly set up the AJA Kona board so you can do some testing yourself. It's a little different than what I'm used to from Final Cut Pro, but this brings us one step closer to transitioning away from FCP.
Host: Walter Biscardi, Jr.
Biscardi Creative Media
biscardicreative.com
We have been using the AJA Kona boards for years with FCP so it's really important to me that the board work with whatever new software we go with. Happily I can now run my AJA Kona boards smoothly with CS 5.5 thanks to the new 9.0.1 Plug-In release.
In this walkthrough I show you how to properly set up the AJA Kona board so you can do some testing yourself. It's a little different than what I'm used to from Final Cut Pro, but this brings us one step closer to transitioning away from FCP.
Host: Walter Biscardi, Jr.
Biscardi Creative Media
biscardicreative.com
MOV
00:06:27
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P.S. Have you done any testing with dual system audio in premiere yet? Is pluraleyes still needed?
But thank you to AJA for bringing this plug-in set out so fast!
Thank you!
We use the Blackmagic Decklink card for external monitoring, not AJA, but the setup is very similar.
I have noticed that a multi-camera sequence plays back normally, showing (up to 4) angles in Premiere's multi-camera window when using one of the stock sequence setups, but as soon as I switch to a Blackmagic setup, the multi-camera window goes black.
Have you tested this at all with your AJA setups? Any suggestions?