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22. Charlie Everywhere @ Circus Cafe - Saratoga Spring…
1 year ago
Charlie Everywhere (now Phantogram), one of my favorite local band, playing at Circus Cafe in Saratoga Springs NY.

This is a test video with a Canon 5D Mark II (second test here: vimeo.com/2641870). The flickering is actually produced by a pretty intense strobe light I was standing next to, nothing to blame the 5D for (yet). The place was packed, I had to handheld. It was also extremely dark, except for short strobe bursts, which made it pretty difficult to shoot in both cases.

I brought my fastest lens, a 50mm f/1.4, stuck to a very small aperture at ISO 5000 (down to 3200?), and I'm still amazed by the amount of light the camera managed to capture.

It's going to be fun and challenging shooting videos with this DSLR. Notice the details on Josh's beard as he goes in and out the focus plane at 0:55, and compare to the video I captured with my Powershot SD870IS a few months earlier:
vimeo.com/1636135

The embedded mic saturated pretty quickly. Focusing needs careful planning. I used auto-focus mode for most of the video, then fiddled with manual-focus at the end.

The 5D produces a tremendous amount of data, recording at full 1920x1080p HD, 30fps. Adobe Premiere CS4 chocked on the footage on both my computers at home, I could not edit it in any interesting ways. I just dropped 6 clips in the timeline, added a few transitions at random and it still took about 45 mins to render the whole clip down to 1280x720p in H264. Ouch. Vimeo compresses it even further, but feel free to download the original 128MB file, it looks pretty clean.

Update: in my second test (vimeo.com/2641870) I describe in more details how proxy files can be used to make one's life a little easier in Premiere. It's very nerdy.

Charlie Everywhere on MySpace:
myspace.com/charlieeverywhere2

Charlie Everywhere on Facebook:
facebook.com/pages/Charlie-Everywhere/22053189127?ref=mf

Credits

13 Likes

  • Rosso Design Ltd plus 1 year ago
    Nice video. What spec computer are you using to edit??
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  • Sébastien B. plus 1 year ago
    Laptop: Core 2 Duo T7700 @ 2.4 GHz, 4 GB RAM, Vista 32 bits, but damn' Solid State Drive.

    Desktop: old Pentium 4 @ 3.2 GHz, 2 GB RAM, XP 32 bits, 150 GB Raid 1 (probably @ 7200 RPM)

    I honestly didn't expect any of them to do the trick, but I will try to replace my antiquated desktop soon. I'm a little surprised Premiere CS4 doesn't support Proxy files automatically, but After Effects CS4 does, I'll check it out.
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  • jt 1 year ago
    impressive quality. And a nice radiohead cover to boot!
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  • Sébastien B. plus 1 year ago
    Update: actually Premiere seems to support some form of offline editing, but it's pain, as described here:
    help.adobe.com/en_US/PremierePro/4.0/WS1c9bc5c2e465a58a91cf0b1038518aef7 -7f74a.html
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  • Sam Dodge 1 year ago
    That looked pretty cool. The strobe was definitely crazy, but some of it was fun. I love the whole look of it, the colors and contrast looked great.
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  • Sébastien B. plus 11 months ago
    Second video test here, with more details about the workflow:
    vimeo.com/2641870
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  • Chris Palmer plus 11 months ago
    Awesome band, great footage. Thanks for sharing.
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  • Stiffensan 11 months ago
    hi, awesome your footage is so noise free to me...

    can you tell me more the trick in making noisefree footage in such a low light environment. I found that low light noise is very annoying but otherwise 5d2 is awesome.

    it is awesome in your hands!

    stiffensan
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  • Sébastien B. plus 11 months ago
    Stiff: Thanks! I'm afraid there is no trick here. You need a fast lens, say a Canon 50mm f/1.4, shoot almost wide open to get a maximum of light (but sadly, shallow DoF), and be stable (a tripod will help). I had brought the kit lens, the Canon 24-105 f/4 IS L, and even if it is Image Stabilized it was too slow for this situation. This camera is great, you have no idea how much darker this place really was.
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  • Stuart Allen 11 months ago
    wow... iso5000 looks pretty damn good here.
    I'd say its time to bring in an external audio recording unit (Zoom H4) to help out in that dept.

    thanks for posting!
  • Andrew CCM plus 11 months ago
    I bought a Sony PCM50 for exactly this purpose. Love it.
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  • Andrew CCM plus 11 months ago
    I was under the impression that in video mode it would only gain up to ISO3200.... And since you cannot manually set the exposure without "workarounds", I am a little confused. I realize you can create settings for your still captures while in video, but the actual video mode motion capture ignores that and sets it's own exposure. Perhaps, I need to go check mine out again in a dark closet. Seemed like my 35L would max out at F1.4 ISO 3200 1/40th (or so) while in video mode...

    Thanks for posting.
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  • Sébastien B. plus 10 months ago
    Andrew: I set it to 5000 before engaging Live View. As you know, the 5D does more or less its own thing starting from there, but the rumor is that depending on where you start (say, in Aperture Priority Mode), you can influence what goes on as you go into video mode. You are right, given the footage, I would say it was more around an effective ISO 2000 or 3000.
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  • John Bäckstrand 8 months ago
    Actually, afaict the rolling shutter makes the strobe make the image partly strobed and partly dark, no? So partly the cameras fault.
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  • Goldenboi24k 3 months ago
    The video for some reason looks soft
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  • Sébastien B. plus 3 months ago
    Not sure what you mean, but since it was shot pretty much in the dark, I used a Canon 50mm f/1.4; it captures a lot in low light wide open, but the cost is that the Depth of Field is extremely narrow. Combined that with the lack of auto-focus and shooting handheld, and you end up with a video that can be pretty soft/blurry at times.
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  • Geoff L 2 months ago
    They covered "Weird Fishes" by Radiohead in this mix. Sweet.
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