Teeth in the Wrong Places combines the narration of a Ponca-Otoe Native American folktale with a slow, time-based performance. As the story unfolds of Coyote’s seduction by two young women with gnashing teeth in their vaginas, a richly alluring mouth slowly chews and regurgitates material. The performer’s gaze with the audience is one of controlled temptation and latent violence. The undermining of traditional narratives of power leak through the film via ironic humour and magnetic confrontations with the audience.
The trilogy of La Specola, including Teeth in the Wrong Places, Concoctions and Spills, creates shifting roles of performance and storytelling that complicate the power dynamics of medical scopic regimes. Within the three videos, historical and contemporary ideas intermingle to form a portrait of our relationship to gender, the body’s viscera, and the conditioning of embodiment set forth by myth and medicine.