
Ben and Sally - a 5D Mark II wedding video - HD
10 months ago
A couple of days before he was scheduled to shoot Ben and Sally's wedding, my good mate and photographer James Day received his new 5D Mark II.
With very little prompting, I jumped in my car for a 12 hour round-trip to Coffs Harbour, NSW in an attempt to be (one of) the first in Australia to shoot a wedding video using only the 5D Mark II.
We picked up some ND filters on the way to the wedding and I basically learned how to use the camera as I shot the groom getting ready. Unfortunately the ND filters weren't the correct thread size so I resorted to blu-tacking the filters to the lens. DV Rebel indeed :)
To say this camera has totally blown me away is a huge understatement. It's not without its issues but working around them isn't too difficult.
A few thoughts:
- There's no better feeling than shooting wide open at f1.2
- There's no worse feeling than blowing a shot because you were shooting at f1.2
- Super crushed blacks and blown out highlights are tough to avoid - better to embrace them
- A super steady hand is required (not that I have one), especially with the 85mm 1.2 - it's a very twitchy lens. The 50mm 1.2 is much steadier
- Audio is passable
- A variety of ND filters are a must in order to shoot as wide open as possible
I'm sure there are more things I could mention but it's late and my brain is fading. Hit me up with a message or a comment to find out more.
Lenses used: 50mm 1.2, 85mm 1.2 & 70-200mm 2.8
Music: Sarah McLachlan "Answer" and Kings of Leon "Use Somebody"
With very little prompting, I jumped in my car for a 12 hour round-trip to Coffs Harbour, NSW in an attempt to be (one of) the first in Australia to shoot a wedding video using only the 5D Mark II.
We picked up some ND filters on the way to the wedding and I basically learned how to use the camera as I shot the groom getting ready. Unfortunately the ND filters weren't the correct thread size so I resorted to blu-tacking the filters to the lens. DV Rebel indeed :)
To say this camera has totally blown me away is a huge understatement. It's not without its issues but working around them isn't too difficult.
A few thoughts:
- There's no better feeling than shooting wide open at f1.2
- There's no worse feeling than blowing a shot because you were shooting at f1.2
- Super crushed blacks and blown out highlights are tough to avoid - better to embrace them
- A super steady hand is required (not that I have one), especially with the 85mm 1.2 - it's a very twitchy lens. The 50mm 1.2 is much steadier
- Audio is passable
- A variety of ND filters are a must in order to shoot as wide open as possible
I'm sure there are more things I could mention but it's late and my brain is fading. Hit me up with a message or a comment to find out more.
Lenses used: 50mm 1.2, 85mm 1.2 & 70-200mm 2.8
Music: Sarah McLachlan "Answer" and Kings of Leon "Use Somebody"
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Do you plan to continue shooting with 5D?
- Arthur
But why not D90?
(i'm looking towards 5DMII too)
Yesterday was my 1st 5DMII/A1 mixed wedding.. and it was just astonishing how picture looks..
And congrats on top25, really deserved!
Serge
I saw something new and refreshing! Keep it coming! I use some equipment from dvtec, the "Multirig Pro" a very light inexpensive and steady solution for the 5dm2.
Not al my films on vimeo are shot with it, but i can post if you like an example, you make a sholdercam of it with the rig, the are some strap on things verry handy for the longs stay shots, or some tele, i use it all the time with my 5dm2, and even lenses with no IS on it are exelent usable.
dvtec.tv/id33.html
weedze
Well done Neezer ;)
For the next one, try to shoot with a slider if you can get one or even a Steadicam Merlin.
Great job, been wanting to see a wedding video like that one shot with the 5D.
I couldn't help but smile at your "No worse feeling than blowing a shot 'cause your at f1.2 comment". Couldn't have said it better myself!
as an experiment it's just awesome, but I wouldn't like my whole wedding video to be that shaky
Great work on this. Really like the colors this camera cranks out. I can't help but feel, though, that the stuff with your XH-A1 is more appealing to me. Something about EXTREMELY short depth of field starts to get disorienting after awhile. I almost think the XH-A1, Brevis stuff you do has a more natural look, like what your eye would see.
Still, this has a great stylized look, and nice to see 5d mk2 footage other than "omg 5dmk2 tst checkitOUT, testing the test while testing"
peace
- Totally cracked me up!
Btw, I just did my first attempt at an engagement video. Definately got a LOT of ideas by looking through your stuff. I didn't have much time to shoot, so a lot of the footage aint so hot, but if you have a chance I would sincerely enjoy input/comments/criticism from you, Matt.
Cheers!
In daylight and brighter, you have do a fair bit of trickery to shoot at 1.2 or 1.4 (just as you would with stills) and get that very shallow depth of field. The 5d MK II does a great job at any of the apertures the lenses will use.
When I shoot in my house it's nice with my 50 1.4 but when I shoot outside on a sunny day, it looses the depth, what would you suggest i should buy?ND is that the trick?
vimeo.com/channels/eos5d
I have a question. Do you find it difficul to do very high or low angles with the 5D Mark II since the screen doesn't angle up and down like the HV30? Is it limiting to have to be in the same sight line as the camera?
Again, beautiful work :)
K
ps. I keep seeing you pop up in videos over from the states haha... Bit far from Toowoomba dont you think??