
Night and Fog
11 months ago
5D MKII test with Merlin steadicam during a very foggy night in Issaquah, WA.
-
Vimeo: About / Blog / Developers / Jobs / Community Guidelines / Community Forums / Help Center / Site Map / Merchandise
/ Get Vimeo

Previous Week
hey, so what ab.Merlin, how does it work for You? As i read, cam is little bit right side overweighted, so how did You solved it?? around 2:20-2:30 its little waving, and how its work with lens? which one did You use? because max.capacity is ar. 3 kg, right? once again, good work!
I've been wondering about the merlin/5d combo myself.. it does look like it likes to teeter back and forth.. Did adding more counter-weight help at all?
I'm wondering if the shape (& weight distribution) of the DSLR vs a Video Camera kills it's effectiveness..
ISO is adjusted as needed (no way around this, even if you had manual full control) and you can use the exp. comp. wheel to make things brighter or dimmer (and compensate ISO at the same time).
To get other apertures, simply dial in what you want in AV, press the Depth of Field preview button, and while holding that button remove lends. Then tape over contacts and put back lends.
I have soem Nikon lenses I use with a cheap adapter - so I have full manual control without tape, but I use my L-lenses in this way.
igore what the read-out says - 30-20-etc. are not doen by the camera - it si always 50 in fact, unless there is too mch light at 100 iso (200 in highlight mode) and then it must increase speed to cut light.
Simple easy - now no need to buy any other cam :-)
apart from the banding in alot of the areas of falloff from the volumetric lights the compression is in all the areas where the colours drop into black, ie in the graduations between colour and black. for example at 29' left of screen half way up. where the texture of the road falls off into shadow (black) is just very messy and blocky with the compression. I'm not talking about grain/noise but a mosaic like blocking which is from the compression.
at 33' with the silhouette, look at the edges of the light volume where it goes from blue to black and in the corners. in fact even the body of the person is full of blocky artifacts.
If you can't see this stuff, i'm betting your on a mac, and that your gamma settings need tweaking. try lifting the gamma just to see the problem.
I may be using this camera for a similar shoot setting as yours, which is why i was asking if these arifacts are in the original footage from the camera or just after the recompression. Would be great if you could let us know.
Cheers
Paul
Wanted to throw out that I just bought a SteadyTracker (as opposed to the far more expensive Merlin), and that is a GREAT option for the 5D II. It can hold up to 8 lbs...and I can run at full speed with my [insured] 70-200L IS lens. It might be a great option for you people out there who want some sort of stabilizer...It's also easy to focus while holding, and you can even buy a foot for it to get tracking shots along the ground.
I will have a sample up Very Very Soon. Still dealing with my workaround intermediate codec in Premiere Pro CS3.
Again, GREAT fog work! Beautiful stuff.