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22. THE COSMONAUT
5 months ago
THE COSMONAUT tells the story of a young man who left earth once upon a time and returns to find the home he once knew a desolate wasteland...
A film by the storytellers of VINEGAR HILL.
Check out the teaser for our next project: TwinReflexMovie.com
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Directed By DAVID ALTROGGE
Written By DAVID ALTROGGE & MICHAEL J. HARTNETT
Director of Photography MICHAEL J. HARTNETT
Edited By SHEPHERD AHLERS, MICHAEL J. HARTNETT, & DAVID ALTROGGE
Original Music By ROGER HOOPER
Sound Design & Mixing DALLAS TAYLOR & JOHN BENITEZ of DEFACTO SOUND
Coloring and Finishing By ALLAN STALLARD
TheCosmonaut.co
A film by the storytellers of VINEGAR HILL.
Check out the teaser for our next project: TwinReflexMovie.com
————
Directed By DAVID ALTROGGE
Written By DAVID ALTROGGE & MICHAEL J. HARTNETT
Director of Photography MICHAEL J. HARTNETT
Edited By SHEPHERD AHLERS, MICHAEL J. HARTNETT, & DAVID ALTROGGE
Original Music By ROGER HOOPER
Sound Design & Mixing DALLAS TAYLOR & JOHN BENITEZ of DEFACTO SOUND
Coloring and Finishing By ALLAN STALLARD
TheCosmonaut.co
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Vinegar HillPRODUCTION COMPANY -
David AltroggeDirector -
Michael J. HartnettDirector of Photography -
shepherd ahlers1st Assistant Camera -
Defacto SoundSound Design -
Roger HooperOriginal Score -
Allan StallardColorist -
beth murphyPhotographer -
Wentao WangProduction Assistant -
Becky ShockProduction Assistant
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Felipe Carrelli7 hours ago -
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aLeXei3 days ago -
Guga Fiel4 days ago -
Malik Z.4 days ago -
David Parkinson1 week ago -
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Shaun Pierre1 week ago -
Chris Alfonso2 weeks ago -
Caleb Barker2 weeks ago
MOV
00:07:59
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Statistics
| Date | Plays | Likes | Comments |
|---|---|---|---|
| Totals | 42.9K | 980 | 72 |
| Feb 23rd | 25 | 1 | 0 |
| Feb 22nd | 31 | 0 | 0 |
| Feb 21st | 35 | 0 | 0 |
| Feb 20th | 42 | 2 | 0 |
| Feb 19th | 28 | 2 | 0 |
| Feb 18th | 45 | 0 | 0 |
| Feb 17th | 28 | 0 | 0 |
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Great piece.
Keep it coming.
...what stock?
Looked Fuji to me.
Really love the colors.
Loved the lighting!
After testing the panavision cinestyle I found that while yielding slightly more latitude, because of the heavy compression native to the 7D, it "baked-in" a low contrast look that was more destructive than helpful.
To not get too technical, aquiring a low contrast image for color grading is really only useful when shooting with low/uncompressed formats.
To get the best image possible with DSLRs the best advice I know is to shoot as close to how you want the final image to look. Do as much as you can in-camera, H.264 compression doesn't hold up to very much manipulation even after transcoding to prores 422.
Should I transcode H.264 to prores 442 if i working with adobe premiere cs5.5? I use colorista II to color graded but I'm not satisfied with effect. Colors in your works are very "milky/smoke style" and very natural. How to get this effect? I was working on technicolor picture style on my 5D with LUD file but final effect was very gray without live colors. Did You decrease saturation on your 7D picture style? Did You warm up middle lights and/or hight lights in this movie?
thanks for help and good luck with your next productions.
Thank you, Vinegar Hill, for the brilliancy of The Cosmonaut.
I was mostly touched by the story and I also liked the directing style of yours.
Also think that the editing was done very well and it matched the beautiful soundtrack.
just beautiful.