
The 360 Project - Behind the Scenes
4 months ago
“The 360 Project” is an exploration into the crossroads of photography and motion pictures. It is a study of peak dance movements, captured simultaneously by 48 cameras aligned in a circle.
There are two components to “The 360 Project” – “Ballet 360” features ballerinas from Canada’s National Ballet School, “Krump 360” features dancers from Northbuck Krump. The two styles of dance represent polemic perspectives in both technique and origin – one is beauty, the other beast.
The resulting images resemble a type of digital statue – a frozen, peak moment, embodying the essence of each dance form in 360 degrees.
BEHIND THE SCENES CREW
Director - Ryan Enn Hughes ryanennhughes.com
Cinematographer - Barry Cheong
Location Sound - Barry Cheong
Timelapse Camera - Arash Moallemi
Set Photographer - Melissa Tait
Editor - Ryan Enn Hughes
Sound Mixing - Zelig Sound zeligsound.com
Additional footage provided by Melissa Tait, Matthew Wilcock, and Ryan Enn Hughes.
All content © Ryan Enn Hughes 2011.
There are two components to “The 360 Project” – “Ballet 360” features ballerinas from Canada’s National Ballet School, “Krump 360” features dancers from Northbuck Krump. The two styles of dance represent polemic perspectives in both technique and origin – one is beauty, the other beast.
The resulting images resemble a type of digital statue – a frozen, peak moment, embodying the essence of each dance form in 360 degrees.
BEHIND THE SCENES CREW
Director - Ryan Enn Hughes ryanennhughes.com
Cinematographer - Barry Cheong
Location Sound - Barry Cheong
Timelapse Camera - Arash Moallemi
Set Photographer - Melissa Tait
Editor - Ryan Enn Hughes
Sound Mixing - Zelig Sound zeligsound.com
Additional footage provided by Melissa Tait, Matthew Wilcock, and Ryan Enn Hughes.
All content © Ryan Enn Hughes 2011.
MOV
00:04:23
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thank you for sharing!
I would like to see more 'off-axis' rotations where the dancer is not in the center of the circle. Then, when the timeline is created the dancer spins around and closer to the camera and then farther away. This might create a headache with focusing all those cameras, but the effect would be very dramatic.
I think we have witnessed the future of fashion website videos. Great work.
one thing: why do you use quicktime to get a mov to import into ae? after effects can easily create that for you.
Except for about 12 years ago...
youtube.com/watch?v=_KtghA0rkDY