Performans
20’

Performans Ma√15' {idiosinkrazija}| sin x= ly-fx²¯ združuje tradicionalno japonsko prakso zvezovanja z vrvjo (bondage ) in elemente klasičnega baleta. Osnovni material sestoji iz 70 metrov konopljine vrvi, baletnih copat in turkizne barve. Med vajo se je razvil lik, podoben meduzi, in nekakšna plesna satira. Dasniya Sommer se zveže z vrvjo in obvisi v zraku, obešena na kavelj, in tako ob rock-sintesajzerski različici Zime Antonia Vivaldija ustvarja trenutke mentalne tišine.

Poleg erotične in konvencionalne uporabe pri parih se vrv lahko uporablja tudi za vezanje samega sebe. To pogosto delajo ženske. Namen dejanja ni hierarhična seksualizirana dinamika ali romantično hrepenenje. Je bolj pokazatelj notranjega monologa in se figurativno poigrava z gestami samoodločanja in užitka. Kljub temu golota v kontekstu javnega prostora ustvarja napetost. Vendar pa transparentna čustvena situacija omogoča, da golota stopi v ozadje in postane bolj normalna, saj tekstura vrvi pušča na goli koži značilne sledi.

Koncept, izvedba, kostum: Dasniya Sommer; Glasba: Antonio Vivaldi, Frets On Fire‘, youtube.com/watch?v=YUbeN2x2aQU; Produkcija: Tanztage Berlin GbR‘ 2009, v sodelovanju s Sophiensaele Berlin e.V.; Sofinanciranje Senate Chancellery Berlin – Oddelek za kulturo; Koprodukcija: Schwelle 7.

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Performance
20’

The self-suspension performance Ma√15' {idiosyncrasy}| sin x= ly-fx²¯ combines Japanese rope bondage with aspects of ballet. The base material consists of 70 meters of hemp rope, pointe shoes and turquoise dye. In the rehearsal process, a medusa-like character evolved, as well as a sort of dancing satyr. She ties herself up and suspends herself in the air, and so generates hovering moments of mental silence, against the synthesizer rock of Antonio Vivaldi’s ‘Winter’.
Besides the sensual and conventional use of bondage in couple constellations, ropes can also be used to tie one’s own self up. This act is often done by women. It does not focus on hierarchic sexualized dynamics or romanticized longing. Rather, it reveals an interior monologue and plays figuratively with gestures of self-determination and enjoyment. Nevertheless, physical nakedness in a public context opens up fields of tension. But the transparent emotional situation allows for it to take a back seat, to become more normal, because the texture of ropes have a distinctive effect against bare skin.

Concept, Performance, Costume: Dasniya Sommer; Music: Antonio Vivaldi, Frets On Fire, youtube.com/watch?v=YUbeN2x2aQU; Produced by: Tanztage Berlin GbR, 2009, in cooperation with Sophiensaele Berlin e.V.; Subsidized by the Senate Chancellery Berlin – Cultural Department; Co-produced by Schwelle 7.

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