00:00
1623
Sorry it's dark, and that the sound is straight from the cam, but Ramachandra tells a great story here about something that is apparently a pattern in the film composition process, mostly that the deadlines are inconceivably tight. But what makes this story worth it is Ramachandra's struggle in working with Stravinski dummy tracks. A wonderful creative and professional challenge that he tells with honesty and charm. Pleasure having M. Borcar with us.
Loading more stuff…