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48. Dry Bones
4 months ago
This project was a collaborative effort that spanned countries & time zones with several artists working long hours to finally put this piece out. The passage comes from an Old Testament prophecy, taken from Ezekiel 37. Not only is the text extremely descriptive and visual, lending itself to beautiful imagery, but show that where there is death and exile, hope and life can be found.
Dry Bones would not have been possible without the extremely talented artists with loads of patience, who I had the privilege of working with.
Dan DiFelice. Director, Compositor, VFX Director
David Tate. DP, Editor
Michael Rinnan. CG Artist: Tracking, Muscle Dev/Animation
Renato Marques. CG Artist: Skin & Vein Dev/Animation
Justin Burton. CG Artist: Previz
Matt Fezz. Colorist
Salomon Ligthelm. Score/Sound Design
Chris Baden. Talent
Luke Atencio. VO Artist
We shot the piece entirely on the 7d and post work was done in c4d and Nuke. The project started in April with boards & CG dev, we shot in early June outside of Las Vegas, and spent June through October refining the CG as well as the composite, sound design, and color.
Dry Bones started off as a personal project of mine, but had it not been for Adam Devizia & the A/G picking up DB and funding a significant portion of it, it's possible the project would have not taken flight.
Special thanks to:
Michael Jones & Glenn Stewart for your collaborative efforts, and Justin Jackson for use of your truck.
Skulls & Skeleton Provided by:
Dapper Cadaver dappercadaver.com
and ABC/Universal
Dry Bones would not have been possible without the extremely talented artists with loads of patience, who I had the privilege of working with.
Dan DiFelice. Director, Compositor, VFX Director
David Tate. DP, Editor
Michael Rinnan. CG Artist: Tracking, Muscle Dev/Animation
Renato Marques. CG Artist: Skin & Vein Dev/Animation
Justin Burton. CG Artist: Previz
Matt Fezz. Colorist
Salomon Ligthelm. Score/Sound Design
Chris Baden. Talent
Luke Atencio. VO Artist
We shot the piece entirely on the 7d and post work was done in c4d and Nuke. The project started in April with boards & CG dev, we shot in early June outside of Las Vegas, and spent June through October refining the CG as well as the composite, sound design, and color.
Dry Bones started off as a personal project of mine, but had it not been for Adam Devizia & the A/G picking up DB and funding a significant portion of it, it's possible the project would have not taken flight.
Special thanks to:
Michael Jones & Glenn Stewart for your collaborative efforts, and Justin Jackson for use of your truck.
Skulls & Skeleton Provided by:
Dapper Cadaver dappercadaver.com
and ABC/Universal
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danDifeliceDirector, Compositor, VFX Director -
David TateDP, Editor -
Michael RinnanCG Artist -
RENATO MARQUESCG Artist -
SalomonSound Design, Score -
Matt FezzColorist -
Justin BurtonPreviz -
Luke AtencioVO Artist
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MINA JOVEN15 hours ago -
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davicho1 day ago -
AimeeHunt1 day ago
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theonethatdoesntneedthemoustache1 day ago -
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Q: Were you guys tracking the weather before shooting or was some of the sky CG as well?
The skies are all replaced...some are time lapse skies that I've shot, and a couple of the skies I just built from a bunch of sky elements. (The skies were all in comp though)
Maybe we'll just have to put a censorship black bar or scramble the image!
How lovely
:D
This type of production needs to be done more often ( I need to do my share ) and I am so glad that you and salomon are bringing the Word to Life....thanks :)
I fully agree...less volume and more depth. It's definitely difficult when you've been working on one spot for an extended period...but that lets you hit the details.
Amazing photography!
I would have loved to see a more creative editing on this amazing video. But is still one of the best christian videos I've seen on vimeo.
Yeah Salo stands out like none other.
You know...it definitely crossed my mind to push the edit and really intensify it, however I personally tend to do that when I'm trying to hide weaker visuals. So I guess I just wanted the shots to be able to stand & hold up on their own. But I do agree..the piece could've definitely had that extra bit.
David is a fine DP and editor for what I see here, I'm just giving you my humble feedback!
be-mag.com
Would be rad.
yeah would be rad!
thanks bud :)
rented from ABC and BJ Winslow (LA)
:)
;)
Yeah Salo is the man.
Script is a passage taken straight out of the Old Testament (Ezekiel 37:1-10)...removed a few bits out here & there for pacing.
You're getting ahead of me! ..I've though about doing that for sure...hopefully this isn't the last of it's kind.
Other than that, great video!
Every time. Nicely done!