
Where Do We Go From Here? Occupy Wall St.
4 months ago
"Where Do We Go From Here?"
On the one month anniversary of Occupy Wall Street, I went to Liberty Plaza to find out where the movement will go next.
Director ED DAVID
Producer DANA SALVATORE
Cinematography ED DAVID & ANDREW MCMULLEN
Editors LILY HENDERSON & ED DAVID
Assistant Producer JILLIAN MASON
Music:
"I Drive" by Cliff Martinez
ED - kittyguerrilla.com
ANDREW - andrewmcmullen.com
LILY - thinplacepictures.com
On the one month anniversary of Occupy Wall Street, I went to Liberty Plaza to find out where the movement will go next.
Director ED DAVID
Producer DANA SALVATORE
Cinematography ED DAVID & ANDREW MCMULLEN
Editors LILY HENDERSON & ED DAVID
Assistant Producer JILLIAN MASON
Music:
"I Drive" by Cliff Martinez
ED - kittyguerrilla.com
ANDREW - andrewmcmullen.com
LILY - thinplacepictures.com
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mx
I'm away and intend to participate locally, it doesn't really matter where you are, the time is now
What camera did you shoot this with?
This I feel ties into bigger political themes like, should the 99% percent allow celebrities like Deepak and Russell Simmons to join the movement when they make millions?
Of course, I say all this - and after all your post may have just been a funny comment. But, maybe you did underneath mean this seriously and I respect your ability to be honest with me about it .
I would really try to invite other "industry" people to make more films about the Occupy Movement. It is not anti-corporation, it's anti-corruption. I wish more people with fancy-schmancy cameras and other useful skills will follow suit. Hopefully you will see more slider and f3 and Arri Alexa and 35mm films made about the movement and the new Canon Camera that is coming November 3rd - I hope!! Oh also the Red Scarlett - very exciting stuff.
The attempt with the filming style was to create a sense of slowness and calm and peace - something overall missing from most media about OWS.
The music choice used was overall a fairly simple drone - an interesting piece that helps I feel contribuate to the peaceful, relaxing state of the piece.
It's good that you are reacting to it. As long as people are reacting that's a good thing. And it's a good thing that even the filming of the piece is a point of debate because I think another important part of the movement is people at home, the audiences, need to start to think critically about the media, how information is delivered to them - what is news? What is a documentary? What is the line between opinion, emotion, and fact?
I wish more people would be critical of everyone's work, and the artist who posts said work, takes everything with a grain a salt and feels good enough about themselves to not worry too much about it - but to listen - to respond, and to be affected by it for the better so that his or hers next piece is even better.
I just think of the young, talented, aspiring artist who is posting his/her work for the first time hoping for some feedback, only get their heart stomped on by a lazy and reckless response. There's a right way to respond critically to someones work.. "Here is what I like, here is what I don't like and why, and (most importantly) here's what I would suggest could make it better."
I bet he is probably a very thoughtful and kind person, face to face. It would be more helpful if he used his genius to tell how he would have gone about it differently instead of taking on the internet tough guy approach. I was also not surprised to see that he has not posted a single video on Vimeo.
Check out OccupySydney.org.au
AND an eviction video -
youtube.com/watch?v=swmaFtkG8UU
In this case, most viewers are quite conscious of the "filmmaking" effect of the piece - which may lessen its impact. but honestly though I shot it this way to create calm and peace - not to try to make it "look like a commercial" as some say. And now there is quite a lot of criticism about this. Oh well - I tried :) Hopefully the look will help the film get to more places that make the movement more accessible to people who don't currently see themselves as part of the movement. That's my goal.
Nice doc. Very reflective and thoughtful camera and people and music. Very emotional. I found the man in the suit very inspiring.
I also love the contrast between the various representations of the protest. Your film makes it difficult to accept the need to shoot protesters with rubber bullets, mace, tear gas, and stun grenades, ala #occupyoakland.
Solidarity Forever!
Thanks for creating such an important piece, and let me know if you'd ever like to collaborate on anything. (I hope to be back in the NY area this winter.) cmkfilm.com
definitely - i love to collaborate.
Thanks!
We are with you all in the US, in our mind and hearts.
I'll keep in touch.
Of course as a cinematographer, me and the sound mixer sometimes have a few compromises to make :)
Check out my video: vimeo.com/31770485
Monique lost her job, then her home, and then decided to stand up and fight back against big banks and unfair foreclosure processes. Occupy Minneapolis will help protect and occupy her home.
I am a film student here in Chicago, trying to do a piece on occupy Chicago, what kind of questions did you ask people?
I wish the end sequence was longer, it would have been sick if you captured even more portraits of people in the moment at the protest.
Love the F3 image, even here as seen on Vimeo. It carries a blue/green hue, slightly desaturated at times. Is that a product of your taste in color correction? Also with the 35mm sensor, where did you set your aperture for the bulk of the shots with the guy in the suit? Quite a bit looks in focus.
The short makes sense, and I really like the push in portraits at the end -- very powerful and personal images to finish on. Keep up the good work mate, and good job fielding the criticism.
Thanks man, keep on documenting and telling the story of "pure democracy".