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Panasonic HMC150 shot at HG 1080/60i. Transcoded to DVCPro HD, edited in Adobe Premiere Pro CS4, and rendered out h.264.

Scene File settings:
Detail: 0
V detail: 0
Detail Coring: +2
Chroma Level: +3
A.Iris level: -3
DRS: 1
Gamma: Cine-Like D
Matrix: Cine-Like
Skin Tone DTL: On

Shutter: 1/60
F4.0-F4.8 for most shots
  • AVCHD User 11 months ago
    Why did you shoot at 60i? The whole point of this camera is to shoot progressive.
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  • Mark Furches 11 months ago
    Well, momma always said that progressive was of the devil...That's why!!!!
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  • Mike Harvey plus 11 months ago
    I would have to disagree that the point of this camera is to shoot progressive. While I much prefer the look 24p and 30p, if the "point" of this camera was progressive, 1080i wouldn't have been included.

    And some people do like the look of 1080i
  • Mark Furches 11 months ago
    agreed!!! I had to shoot in HG 1080/60i because right now I only have a class 2 sdhc card. I just ordered a class 6 off newegg, so i'll be shooting progressive as soon as that comes in the mail.
  • Norbert Bielan 7 months ago
    You can't see in the progressive modes on a class 2?
  • Norbert Bielan 7 months ago
    shoot*
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  • Celia Hilton plus 10 months ago
    Hey Mark, is that your new cam? Looks quite good. My jury is still out on 24p vs. 60i. But I'd love to see some good side by side examples if anyone has some. Cool ants, btw.
  • Mark Furches 10 months ago
    To each his own. This video was shot it 60i, but it was kinda jittery for some reason. I'm trying to figure out some better compression settings to upload HD to the internet.

    haha....the ants are pretty sweet!!!
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  • Brian Greenstone plus 9 months ago
    If you can see the interlace lines then that's reason enough to say you should have shot it in 24p.
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  • Phil Anderson 9 months ago
    Tend to agree with Brian.
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