Best italian short at Sardinia Film Festival, Sassari 2009.
Accepted for the 17th Raindance Film Festival, London.

What is the difference between a ready-made and a real object? What leads us to shift from practical users to aesthetic audience in front of an "object trouvé"? There's only a thin pellicle that still separates art and reality, a conceptual border, or maybe we should call it a "tacit agreement".
What if the art and reality broke the last conceptual membrane that still prevents them from the complete identification? What if we start to use the pieces of art as common objects and the artistic values as practical rules of conduct?
"Metro, boulot, dodo" means the humdrum routine in the parisian slang (literally "I took the metro, I worked, I went to sleep").
A short film written and directed by Nicola Crivellari and Elisa Minuzzo.