Critic, author and film maker Chris Kraus puts Tao Wells' work "The Beneficiary's Office" into context via the work of philosopher and activist Simone Weil and the Italian "Movement of 77".

Note: Carolee Schneemann is alive and not dead as accidentally stated.

Taken from the: Where Are Belongs/ Exhibitions As Mediums Symposium, Massey University School of Fine Arts, Litmus Research Initiative, Wellington 2011.

Supported by College of Creative Arts research grant.

In partnership with the City Gallery Wellington.

Chris Kraus's trip supported by Artspace Auckland and the International Visitors Programme, through Creative New Zealand, Toi Aotearoa.