
Filmmaking: Working in the documentary form
10 months ago
USC Professor Jeremy Kagan and MHZ Networks producer Glenn Luther share the challenges for modern documentary filmmakers.
Kagan is beginning a research project at the University of Southern California that examines how certain cinematic elements or constructs might be more or less effective with different audiences.
Luther talks about some of the themes that were emerging at the Making Your Media Matter conference produced by The Center for Social Media at American University.
Kagan is beginning a research project at the University of Southern California that examines how certain cinematic elements or constructs might be more or less effective with different audiences.
Luther talks about some of the themes that were emerging at the Making Your Media Matter conference produced by The Center for Social Media at American University.
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Is it cinema verite' whereby you objectively present a situation and allow the viewer to arrive at their own conclusions, or is it a form of utilitarian propaganda whereby you manipulate the representation of a situation in order to achieve a desired outcome/response from the viewer?
In the first case, the viewers' history does not matter, the piece stands as a piece.
In the second case, much preparation is taken to tailor the piece to the audience.
One is propaganda, advocacy - disguised as documentary, and one is pure.
One is Michael Moore, and one is Tom Palazzolo.
One seeks to invite honest investigation, one seeks to invoke dogma.
How many times does one need to look at the Mona Lisa, or to read a great novel in order to be moved to deep thought?