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1. DATAFLUX
2 years ago
DATAFLUX investigates the possibilities of using live software patches to render synesthetic audio and visual installations. The piece uses a software counting mechanism to step between scenes and sequences. Projections are beamed onto a motorised mirror allowing for wider displacement which is also triggered via the same system. Size and locations for the reshaping white squares are changed on every beat, allowing for the movement streams that you can see, this relocation creates an internal message that allows the software to fluidly render these changes. It is this concept of a hidden working system that I aim to represent with this work. I want to visually represent the mechanics of the software program.
As of yet this installation will last one minute twenty before the viewer will be presented with a loop point, however with inclusions such as randomizers and out of phase oscillations there is the possibility of an artificially generated sequence with perpetual transformation. The sound is made up of four pre-rendered two channel linear streams that are re-triggered every 30 seconds, developed in a way to seem to be a more complex live point to point triggering system (the lack of a fully live soundscape was due to lack of developmental time). Heavy sub bass information was present and a strobe effect is also triggered once every 60 seconds. These extreme audiovisual elements were included to heighten the sensory effects the work has on the participant, and to attempt to draw a connection between virtual and physical/environmental intricacies. The installation aims to represent the notion of pushing capacities in order to assist in envisaging further developments. The layout of the pillars are based on the existence of a fixed large pillar located in the centre of the room.
I am planning for Engimatica in February to more dynamically represent a digitally choreographed environment. To my indiscretion and perhaps paradoxically, Enigmatica will be made up of a completely pre-rendered looping linear stream, there will be no live software elements.
kitwebster.com.au
As of yet this installation will last one minute twenty before the viewer will be presented with a loop point, however with inclusions such as randomizers and out of phase oscillations there is the possibility of an artificially generated sequence with perpetual transformation. The sound is made up of four pre-rendered two channel linear streams that are re-triggered every 30 seconds, developed in a way to seem to be a more complex live point to point triggering system (the lack of a fully live soundscape was due to lack of developmental time). Heavy sub bass information was present and a strobe effect is also triggered once every 60 seconds. These extreme audiovisual elements were included to heighten the sensory effects the work has on the participant, and to attempt to draw a connection between virtual and physical/environmental intricacies. The installation aims to represent the notion of pushing capacities in order to assist in envisaging further developments. The layout of the pillars are based on the existence of a fixed large pillar located in the centre of the room.
I am planning for Engimatica in February to more dynamically represent a digitally choreographed environment. To my indiscretion and perhaps paradoxically, Enigmatica will be made up of a completely pre-rendered looping linear stream, there will be no live software elements.
kitwebster.com.au
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VincentCan3 days ago -
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Jason Stinsmuehlen6 days ago
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nomand1 week ago -
Li Ge1 week ago
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ho0ratiu1 week ago
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Julia Mendoza2 weeks ago
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Laetitia Tonlistina2 weeks ago -
Long Li2 weeks ago
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suzukimotonori2 weeks ago
FLV
00:02:06
53 Related collections
- Categories / Experimental
- Categories / Art
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| Date | Plays | Likes | Comments |
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| Feb 13th | 9 | 0 | 0 |
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Was the audio coming from VVVV as well or another program?
thanx for the adding on my channell
you are very welcome
i appreciate so much your work
and i hope to collaborate with you pretty soon
maybe in international new media events
have good time
((((C))))
the strobe was sync with dmx, arduino, rs232 ?
Did you do the sound?
Great job!! Luck in Blindside Gallery.
O como se dice en el teatro en España "mucha mierda!"
I really really liked your work, how it looks and moves is very impressive.
On the other hand, i'm curious about the name of the project because the first time that I watched the video, I was expecting some kind of data visualization installation. Now that "data" and "flux" are very "hot" words that are used in information visualization, I think I was mislead...
Is there a particular reason why you named your work as "dataflux"?
and also, Do you have any plans to visualize something with your work? with light and motion..
> love it!