Piccadilly Stone: Letus Ultimate/ EX3/ Relay on Vimeo

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56. Philip Bloom's Video Blog: NAB part 2

by Philip Bloom

8 months ago

55. Shooting and Editing with the CF recorder on the S…

by Philip Bloom

8 months ago

54. Review of JVC GY HM 100

by Philip Bloom

8 months ago

53. Bloom/ Zacuto

by Philip Bloom

8 months ago

52. Grading "Return to Dungeness" with Magic Bullet Looks

by Philip Bloom

9 months ago

51. Return to Dungeness HD

by Philip Bloom

9 months ago

50. Battersea: JVC GY-HM 700

by Philip Bloom

9 months ago

49. Review of JVC GY-HM 700

by Philip Bloom

9 months ago

48. 35mm Film adaptors explained

by Philip Bloom

9 months ago

47. York House: Cinemek G35 HD

by Philip Bloom

9 months ago

46. Review of EX3 Letus relay.

by Philip Bloom

9 months ago

45. A Sunday in Kent: Shot on Panasonic HPX 301e with …

by Philip Bloom

10 months ago

44. Review of Panasonic HPX 301e

by Philip Bloom

10 months ago

43. Piccadilly Stone: Letus Ultimate/ EX3/ Relay

by Philip Bloom

10 months ago

42. Valentine's Day

by Philip Bloom

10 months ago

41. Bexhill-on-sea: SGBlade RR2 test short

by Philip Bloom

10 months ago

40. The Magic Bus Stop: Test short with EX1/ Shoot 35 SGBlade

by Philip Bloom

10 months ago

39. Stuck like glue

by Philip Bloom

1 year ago

38. Return to Siberia

by Philip Bloom

1 year ago

37. Grand Canyon

by Philip Bloom

1 year ago

36. The Echo

by Philip Bloom

1 year ago

35. Nikon D90 test

by Philip Bloom

1 year ago

34. Excerpts: Beyond the City

by Philip Bloom

1 year ago

33. EX3 test short: Windsor Waltz HD

by Philip Bloom

1 year ago

32. "Conkers" Concept trailer

by Philip Bloom

1 year ago

31. Glass Insomnia

by Philip Bloom

1 year ago

30. 3 Seconds HD

by Philip Bloom

1 year ago

Short film shot using the Ex3, Letus Ultimate and Relay/ Shot in 720p mostly at 50fps overcrank.

Thanks to Mark Dawson of LondonMarkFilms.com who shows up in video and also did some photos for me.

Read about the making of this short and much more on my website. philipbloom.co.uk

Credits

99 Likes

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2 months ago
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3 months ago
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5 months ago
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6 months ago
See all 99 likes

Tags

Joseph Stunzi, IENCE 10 months ago

Pretty good for only 2.5 hours of shooting!
ße ωell ;-) 10 months ago

@ Mark ;-)
dylan morgan 10 months ago

Philip, you need to come to the US and do some filming (specifically Portland OR?) :P I would flip if I saw you shooting.
Chrizzle 10 months ago

Phillip, you're a great inspiration. This, like always is great!
Philip Bloom 10 months ago

You can see Mark's film here: londonmarkfilms.com/days.html
Brad C 10 months ago

Not bad for a rookie.

haha
Pablo Korona 10 months ago

next time you're out with this setup, could you try to get a shot with a sharp bokeh… that's been my pet peeve of DoF adapters from the start, and i'd like to see how the relay reacts. I saw only saw a few examples here, but if like the sun was reflecting off of the water and you threw it completely out of focus how nice would it look. This setup seems like it'd be the perfect hi-end wedding videographer's delight.
Philip Bloom 10 months ago

very difficult to use these set ups on anything with actuality...great for set ups, interviews etc...
Brad C 10 months ago

Agreed. I put my Letus up for sale. Thanks for your help Phil.
amankerstudio 10 months ago

huuwoww..!!!
nice....very expensive..:(((
interfade 10 months ago

Great video once again.

Got a question though. What exactly is overcranking?
Philip Bloom 10 months ago

it's means in camera slow motion...from film cameras when the film is cranked through the camera faster than normal so when played back at normal speed is slow motion.
interfade 10 months ago

Oh okay, so undercranked would be faster than usual? Is this done with the actual camera or in post? Thanks for the info!
Ray Roman 10 months ago

Stunning visuals. I always enjoy how you set up your opening credits.
Philip Bloom 10 months ago

Thanks Ray!
Dave 10 months ago

Philip- Good Onion Mate!!!

Your eclectic and entertaining perspective and use of the "electronic"eye to establish a tangible feel for the pulse of the actions is always compelling... as the actions documented unfold... the certanty of your visual language consistantly brings me ( And other cinematographers) to the electronic hearth to gaze warmly upon your rewarded efforts- and admire your 3 minute journeys into voyaristic pantages !!

Conversly...Always loved piccadilly too!
Can you share with us the picture profiles from this shoot-Lovely colour...or is that brilliant colour-lovely!-LOL
Thanks for the Smile provided with the Small Faces-
Always loved Mid 60's London Too!

Godspeed and Good Shooting!

Dave
Philip Bloom 10 months ago

Thanks Dave. Most of it was done in post with Magic Bullet. Shot quite flat!
Joseph Palmario 10 months ago

2 stops more for a relay, very nice! Is it really worth the money?
rickflick 10 months ago

Well made Phillip. I'm a fan.
Lisa La Rosa 10 months ago

Hi there, just wondering if you have any tips on dealing with the public while you are shooting. I notice some of them noticing the camera, was this a problem? I really enjoy your work. Cheers lisa
Philip Bloom 10 months ago

unless they come up and ask me to stop then it's fine. Only got punched twice, not bad...
Lisa La Rosa 10 months ago

I hope that is twice in your career not twice every time you go out. Perhaps i should take a first aid kit.

I also watched Mark's film and i am astounded that while they are both beautiful they are both remarkably different. It is a real revelation to see just how powerful individual vision and style can be.

Cheers.
Joe Kamimura 10 months ago

you captured beautiful shots. i'm glad i had a chance to connect to these wonderful people :)
alex ney 10 months ago

this short was originally recorded in wich wide resolution? the letterbox is because vimeo can only display 1280x720?

i am looking for anamorphic widescreen using this EX3 and Letus setup, without distortion caused by lenses with great angular power.

thanks, and congratulations for your shoots!
Jackson Jackson 10 months ago

Nice mix. Great Images
Brian Boudreau 10 months ago

Beautiful shots and great editing :)
Rusty Rogers 10 months ago

Nice! Really great location. Needs more people.
I'm fast becoming a fan of the 720p/60.
Used a bit here...
vimeo.com/2889781
Nick Wilcox-Brown 10 months ago

Clever stuff - it just keeps on getting better.
Very nice work indeed Philip
Stephen Lewis 10 months ago

I finally found the word for your shorts Phil; scopophilia. The pleasure derived from looking or staring. Not that we need to involve any psychoanalytic terms! Love it as always, and I STILL think that one day I will shoot with/help you out on a project!
james 10 months ago

Just wondering how you got such amazing colors blacks and sharp wides!!!? Great stuff! I have had 2 x.d cam 330s with fujinon 17 x 5 h.d lens for 6 mths now and they look flat and dull by comparison! Is your lens affecting colours and blacks or is it post? would love to get colours like this with my lens (my only lens). What does a d.o.f adapter like that with nikon lens set you back? Ive heard they can create fringing and other anomolies so have tended to use telephoto for d.o.f.
GROCERYBAG.TV 10 months ago

Goooooood LORD!
Rick Horton 9 months ago

Hey, nice work Philip. So what is your favorite set up to use these days? I see you've been using a lot of different set ups lately?
James T. Kirk 9 months ago

Professional and beautiful like always !!! Especially, I like how you are working with the focus. Also interisting to watch the same scenery taken by two videographers this time.
crazytoons 9 months ago

good !
which preset did you use in color profile of the ex3 ?
Andy Miller 9 months ago

Again, great stuff Mr. Bloom.
Gurmeet 9 months ago

If you dont change lens... is ex3 worth the extra cost of ex1? I'm trying to decide what camera do go for. The difference in the price is quite a bit.
Philip Bloom 9 months ago

the ex1 is an awesome camera with same pic quality as ex3
olaf h. ☞ nadu 9 months ago

i love those people studies, great stuff!
Paul Shmelov 9 months ago

Im just curious, is the only way to get shallow depth of field is to have an attached 35mm adapter or can one easily post process it? Thanks, and beautiful work by the way
Philip Bloom 9 months ago

post process shallow DOF is very hard and always looks fake.
Paul Shmelov 9 months ago

I really want a 35 but they are just too much. If I have a lens whats the cheapest possible way to get it to work?
Londonmark Films 9 months ago

Don't forget you can check out my piece shot on the same day vimeo.com/3342035
Philip Bloom 9 months ago

and you can see my piece shot on the same day here: vimeo.com/3318986
Daniel Dides 8 months ago

I have to ask: Do you get payed to make videos like this? Or are you lugging around all the equipment through the tube just for sheer amusement?

Either way, great job! Cheers!
holke79 11 days ago

wow wow wow !!! what a song, what a shooting ... nice job!!