I've been DYING to shoot 35mm since I cut the last frame in film school. It's pretty obvious it's the format of choice for filmmakers but it takes shooting it and having it scanned yourself to really see how beautiful it is.

I'd like to thank my buddy Navarro for letting me resurrect his dad's old IIC and put it through it's paces. The camera really shines... The Schneider glass doesn't hurt the kit either!

ARRI IIC
KODAK VISION 250D (DATED 1994)
KODAK VISION2 50D (FRESH)
ALPHA CINE LABS PROCESSING
NOLO DIGITAL FILM 2K LOG DPX SCAN ON THE ARRISCAN

Most of the footage shot outside with the two boys on the slide was exposed EV -2 stops. The thin negative coupled with the ARRIscan works so well!

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