28.12.2011 - " yaptığı resmin tuvaline, yazdığı makalesine, fıkra ve şiirlerine, sanatına yansıtarak destek verenler de var. "
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Yeşilçamın arka bahçesinde yürüttüğü faaliyetleri sebebiyle egzotiksiz büyüyen 2/5bz adlı gözelleştirme derneğinin, demoralize yöntemini kullanarak modern resme yansıttığı çalışması.( 1991 - 2011 )
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This is the work of a special-beautification (with eye and hand) association that has grown as no-exotic due to its activities in the back yard of turkish pop cinema (yesilcam) . The association is called 2/5 bz, and in this work, it has used demoralization approach and reflected it on modern painting.
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with speech of minister of interior affair on 26 December 2011 ;
bir resim yapacagiz birlikte... modern...
we will make a painting together... modern...
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saptirma yaparak, kendine gore gerekceler uydurarak, makullestirerek terore destek veriyor.
he/she is are supporting terror by making a diversion, by making up excuses at his/her own whim, by making it plausible.
belki resim yaparak, tuvale yansitiyor. siir yazarak siirine yansitiyor.
maybe by painting, he/she is reflecting it (terror) to the canvas, by writing a poem, he/she is reflecting it (terror) to his/her poetry.
dogrudan calismasina, yazisina, sanatina konu yaparak demoralize etmeye calisiyor.
he/she is trying to demoralize, by directly making it (terror) the subject of his/her work, article, art.
terorun arkadan dolanarak, arka bahcede yuruttugu faaliyetler -ki arka bahce istanbul'dur, izmir'dir, bursa'dir, viyana'dir,almanya'dir, londra'dir, washington'dur, her neyse...
there are indirect terrorist activities that take place in the back yard, and the back yard is istanbul, izmir, bursa, vienna, germany,london, washington, whatever...
universitede kursudur, dernektir, sivil toplum kurulusudur.
it (the back yard) is departments at universities, associations, non governmental organizations.
cagin geregi. ne kadar sivil toplum kurulusumuz varsa, o kadar demokratik bir ulkeyiz. vakaa bu.
this is a necessity of this age. the more we have non governmental organizations, the more democratic a country we are. this is the case.
ama oraya da sizmak lazim teror acisindan. sizilir, sizarsiniz, sizmislardir.
but fromt he perspective of terror, those places have to be infiltrated. they infiltrate, you infiltrate, they have infiltrated.
masum dernektir, bakmissiniz guzellestirme dernegi, bakmissiniz kultur dernegi, bakarsiniz egitim dernegi, bakarsiniz bir think tank kurulusu.
it is an innocent association. you can see it as an association for beautification. you can see it as an association of culture. you can see it as an association of education. you can see it as a think-tank organization.
dusunce uretim merkezi. silahli teror degil.
a center for the production of knowledge. not armed terror.
bir baska ayagi daha var. psikolojik teror var. bilimsel teror var. teroru besleyen arka bahce var.
there is another aspect. there is psychological terror. there is scientific terror. there is a back yard that feeds terror.
bir baska ifadeyle sanatina konu yaparak... belki resim yaparak tuvale yansitiyor....
in other words, by making it (terror) a subject of his/her art... maybe by painting, he/she is reflecting it (terror) to the canvas...
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bir resim yapacagiz birlikte... modern...
we will make a painting together... modern...
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Aziz Nesin ;
turkiye'den bilimci, dunya capinda bir bilimci cikmiyor, cikamayacaktir. felsefeci cikmiyor, cikamayacaktir.
turkey does not and can not bring up a globally renown scientist. it does not and can not bring up such like a philosopher.
sanatcilar cirpinip duruyor. bu her alanda... resim alaninda, siir alaninda...
the artists are struggling. this is in every field... in painting, in poetry...
bir zamanlar sairlerin arkalarina duserlerdi komunist bunlar diye. neden? cunku yazdiklari siiri anlamazlardi.
once, they used to chase poets for being communists. why? because they could not understand the poems they wrote
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Vicdani Cinnet Kurbanı - REMAKE REMIX RIPOFF TURKISH REMAKES AND COPYCULTURE OF CINEMA 28.12.2011
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