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This is a scene from "Closing Doors" showing my work as a Director of Photography. I shot this in 35mm Anamorphic using Kodak 5279 500T on a Platinum Panaflex with Primo anamorphics.

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  • BluesfortheRedSun 2 years ago
    Great job !!!
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  • Ayz Waraich plus 2 years ago
    those street exteriors look great with the ana's. especially the headlights in the background.

    well done.
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  • Hunter Hampton Richards plus 2 years ago
    Beautiful work. Where can I see the entire film?
  • Stephen Murphy 2 years ago
    Sent you a PM
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  • Found Object Films 2 years ago
    Great lighting, minimalistic but evocative.
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  • davide fois 2 years ago
    Love how you use the light.
    Specially the yellow color. She looks in the shop window, she wants to go, and all her house is penetraded with yellow light. I love these cinematographic connections... Where can I see the whole work?
  • Stephen Murphy 2 years ago
    sent you a PM
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  • patrick george 2 years ago
    This looks beautiful.
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  • Oli Kember plus 2 years ago
    I'd love to see the whole film too if possible, this looks really great.
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  • DSLRcinema plus 2 years ago
    Stephen, I love anamorphic lenses. Do you find it difficult to use with 35mm (even with a pro ana lens)? I am using a MKII with an isco lens and you have to be careful and plan things out.
  • Stephen Murphy 2 years ago
    Hi Tracey - i love using anamorphic lenses - its my fav. format and ive worked with it quite a bit over the years so i dont find it difficult. love all the qualities the lenses bring to an image.
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  • alberto vázquez 2 years ago
    quiero ver mas felicidades
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  • mayer chalom 2 years ago
    i dont know anything about film stock, but to get that greenish color in the supermarket she was shopping did you have a special film stock, did you color correct it, or was it the lighting. I'm curious how you achieved that color. Oh btw did you scan the prints and edit in a non linear editor or do it linear.
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  • Stephen Murphy 2 years ago
    The whole project was shot on Kodak 5279 which has more contrast and saturation then most modern stocks. For that scene we shot under green spiked tubes and i used a Jade filter on the lens. The NEGATIVE was scanned at 2K and edited on a non linear system. The PRINT was created after all the post work was completed.
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  • Anima3D plus 1 year ago
    Your footage is awesome! I love the yellow at 00:58 and the fantastic atmosphere that gives me the blue green intro with the color dots of the lights. I want to see the rest please
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  • Hyun De Grande 1 year ago
    really love your use of colors in this one!
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  • Mahaveer Naik 1 year ago
    Nice composition.
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  • Hugo Gamboa 1 year ago
    Great Work!!
    I'd love to see the whole film too, if possible?
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  • Stephen Murphy 1 year ago
    Hugo - the full film is on the directors website at imperialchang.com/html/closing_doors_movie.html
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  • Hugo Gamboa 1 year ago
    Thank You Stephen.
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  • Jamie Muir 1 year ago
    Beautiful shots Stephan. Just wanting some advice as I am shooting a short s16mm film in march and have a lot of dusk scenes. I wondered if you reccomend using a tungsten stock rather than daylight to bring out the blues?
  • Jamie Muir 1 year ago
    All shots are exterior i forgot to add.
  • Stephen Murphy 1 year ago
    Hi Jamie,
    If you want a colder/blue cast to your footage then shooting uncorrected tungsten would be better then daylight stock.
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  • Gabriel Corbion plus 9 months ago
    Très bon travail!
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  • Anjelkam 2 weeks ago
    very good DOP!! congratts!!
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