This project was a free experience for testing the visual limits of the perception. For this, Natalia Nunes and I joined two mirrors with two different forms - a square and a sphere - and articulated them under the camera's blind spots. The result are a composition of visual limitless landscapes, with the dimensions of space fragmented in the form of a prism. For the soundtrack production we humbly rely on the music studies of Philip Glass about the 'continuum'.

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